Three Philosophical Poets: Lucretius, Dante, and Goethe — Dante Alighieri — John Shaqi
Three Philosophical Poets: Lucretius, Dante, and Goethe
Dante Alighieri · en
Even if this theory were accepted, however, it would not prove the point
which Lucretius has chiefly at heart, namely, that an after-life is
impossible. The atoms of the soul are indestructible, like all atoms;
and if consciousness were attached to the fortunes of a small group of
them, or of one only (as Leibniz afterwards taught), consciousness would
continue to exist after these atoms had escaped from the body and were
shooting through new fields of space. Indeed, they might be the more
aroused by that adventure, as a bee might find the sky or the garden
more exciting than the hive. All that Lucretius urges about the
divisibility of the soul, its diffused bodily seat, and the perils it
would meet outside fails to remove the ominous possibility that troubles
him.
To convince us that we perish at death he has to rely on vulgar
experience and inherent probability: what changes is not indestructible;
what begins, ends; mental growth, health, sanity, accompany the fortunes
of the body as a whole (not demonstrably those of the soul-atoms); the
passions are relevant to bodily life and to an earthly situation; we
should not be ourselves under a different mask or in a new setting; we
remember no previous existence if we had one, and so, in a future
existence, we should not remember this. These reflections are
impressive, and they are enforced by Lucretius with his usual vividness
and smack of reality. Nothing is proved scientifically by such a
deliverance, yet it is good philosophy and good poetry; it brings much
experience together and passes a lofty judgment upon it. The artist has
his eye on the model; he is painting death to the life.
If these considerations succeed in banishing the dread of an after-life,
there remains the distress which many feel at the idea of extinction;
and if we have ceased to fear death, like Hamlet, for the dreams that
may come after it, we may still fear death instinctively, like a stuck
pig. Against this instinctive horror of dying Lucretius has many brave
arguments. Fools, he says to us, why do you fear what never can touch
you? While you still live, death is absent; and when you are dead, you
are so dead that you cannot know you are dead, nor regret it. You will
be as much at ease as before you were born. Or is what troubles you the
childish fear of being cold in the earth, or feeling its weight stifling
you? But you will not be there; the atoms of your soul--themselves
unconscious--will be dancing in some sunbeam far away, and you yourself
will be nowhere; you will absolutely not exist. Death is by definition a
state that excludes experience. If you fear it, you fear a word.