Three Philosophical Poets: Lucretius, Dante, and Goethe
Dante Alighieri · en
Indeed, the force of the great passage against the fear of death, at the
end of the third book of Lucretius, comes chiefly from the picture it
draws of the madness of life. His philosophy deprecates covetousness,
ambition, love, and religion; it takes a long step towards the surrender
of life, by surrendering all in life that is ardent, on the ground that
it is painful in the end and ignominious. To escape from it all is a
great deliverance. And since genius must be ardent about something,
Lucretius pours out his enthusiasm on Epicurus, who brought this
deliverance and was the saviour of mankind. Yet this was only a
beginning of salvation, and the same principles carried further would
have delivered us from the Epicurean life and what it retained that was
Greek and naturalistic: science, friendship, and the healthy pleasures
of the body. Had it renounced these things also, Epicureanism would have
become altogether ascetic, a thorough system of mortification, or the
pursuit of death. To those who sincerely pursue death, death is no evil,
but the highest good. No need in that case of elaborate arguments to
prove that death should not be feared, because it is nothing; for in
spite of being nothing--or rather because it is nothing--death can be
loved by a fatigued and disillusioned spirit, just as in spite of being
nothing--or rather because it is nothing--it must be hated and feared by
every vigorous animal.
One more point, and I have done with this subject. Ancient culture was
rhetorical. It abounded in ideas that are verbally plausible, and pass
muster in a public speech, but that, if we stop to criticize them, prove
at once to be inexcusably false. One of these rhetorical fallacies is
the maxim that men cannot live for what they cannot witness. What does
it matter to you, we may say in debate, what happened before you were
born, or what may go on after you are buried? And the orator who puts
such a challenge may carry the audience with him, and raise a laugh at
the expense of human sincerity. Yet the very men who applaud are proud
of their ancestors, care for the future of their children, and are very
much interested in securing legally the execution of their last will and
testament. What may go on after their death concerns them deeply, not
because they expect to watch the event from hell or heaven, but because
they are interested ideally in what that event shall be, although they
are never to witness it. Lucretius himself, in his sympathy with nature,
in his zeal for human enlightenment, in his tears for Iphigenia, long
since dead, is not moved by the hope of observing, or the memory of
having observed, what excites his emotion. He forgets himself. He sees
the whole universe spread out in its true movement and proportions; he
sees mankind freed from the incubus of superstition, and from the havoc
of passion. The vision kindles his enthusiasm, exalts his imagination,
and swells his verse into unmistakable earnestness.