Three Philosophical Poets: Lucretius, Dante, and Goethe — Dante Alighieri — John Shaqi
Three Philosophical Poets: Lucretius, Dante, and Goethe
Dante Alighieri · en
Skip a thousand years and more, and a contrasting spectacle is before
us. All minds, all institutions, are dominated by a religion that
represents the soul as a pilgrim upon earth; the world is fallen and
subject to the devil; pain and poverty are considered normal, happiness
impossible here and to be hoped for only in a future life, provided the
snares and pleasures of the present life have not entrapped us. Meantime
a sort of Jacob’s ladder stretches from the stone on which the wayfarer
lays his head into the heaven he hopes for; and the angels he sees
ascending and descending upon it are beautiful stories, wonderful
theories, and comforting rites. Through these he partakes, even on
earth, of what will be his heavenly existence. He partly understands his
destiny; his own history and that of the world are transfigured before
him and, without ceasing to be sad, become beautiful. The raptures of a
perfect conformity with the will of God, and of union with Him, overtake
him in his prayers. This is supernaturalism, a system represented in
Christendom chiefly by the Catholic Church, but adopted also by the
later pagans, and widespread in Asia from remote antiquity down to the
present time. Little as the momentary temper of Europe and America may
now incline to such a view, it is always possible for the individual, or
for the race, to return to it. Its sources are in the solitude of the
spirit and in the disparity, or the opposition, between what the spirit
feels it is fitted to do, and what, in this world, it is condemned to
waste itself upon. The unmatched poet of this supernaturalism is Dante.