Three Philosophical Poets: Lucretius, Dante, and Goethe — Dante Alighieri — John Shaqi
Three Philosophical Poets: Lucretius, Dante, and Goethe
Dante Alighieri · en
To betray or resist these divine rights, or to confound them, was
accordingly a sin of the first magnitude. The evils from which society
suffered were the consequence of such transgressions. The pope had
acquired temporal power, which was alien to his purely spiritual office;
besides, he had become a tool of the French king, who was (what no king
should be) at war with the emperor, and rebellious against the supreme
imperial authority; indeed, the pope had actually been seen to abandon
Rome for Avignon,--an act which was a sort of satanic sacrament, the
outward sign of an inward disgrace. The emperor, in his turn, had
forgotten that he was King of the Romans and Caesar, and was fond of
loitering in his native Germany, among its forests and princelings, as
if the whole world were not by right his country, and the object of his
solicitude.
And here the larger, theoretical patriotism of Dante, as a Catholic and
a Roman, passed into his narrower and actual patriotism as a Florentine.
Had Florence been true to its duties and worthy of its privileges, under
the double authority of the Church and the Empire? Florence was a Roman
colony. Had it maintained the purity of its Roman stock, and a Roman
simplicity and austerity in its laws? Alas, Etruscan immigrants had
contaminated its blood, and this taint was responsible, Dante thought,
for the prevalent corruption of manners. All that has made Florence
great in the history of the world was then only just beginning,--its
industry, refinements, arts, and literature. But to Dante that budding
age seemed one of decadence and moral ruin. He makes his ancestor, the
crusader Cacciaguida, praise the time when the narrow circuit of the
walls held only one-fifth of its later inhabitants. “Then the city
abided in peace, sober and chaste.”[3] The women plied the distaff, or
rocked the cradle, and prattled to their children of the heroic legends
of Troy, Fiesole, and Rome. A woman could turn from her glass with her
face unpainted; she wore no girdle far more deserving of admiration than
her own person. The birth of a daughter did not frighten a good burgher;
her dowry would not have to be excessive, nor her marriage premature. No
houses were empty, their masters being in exile; none were disgraced by
unmentionable orgies.[4] This was not all; for if luxury was a great
curse to Florence, faction was a greater. Florence, an imperial city,
far from assisting in the restitution of the emperors to their universal
rights, had fought against them traitorously, in alliance with the
French invader and the usurping pontiff. It had thus undermined the only
possible foundation of its own peace and dignity.