Through Hell with Hiprah Hunt: A Series of Pictures and Notes of Travel Illustrating the Adventures of a Modern Dante in the Infernal Regions; Also Other Pictures of the Same Subterranean World — Dante Alighieri — John Shaqi
Through Hell with Hiprah Hunt: A Series of Pictures and Notes of Travel Illustrating the Adventures of a Modern Dante in the Infernal Regions; Also Other Pictures of the Same Subterranean World
Dante Alighieri · en
Mr. Hunt takes his way down a long declivity up which the blinding steam
hurries “as a blizzard sweeps up a prairie slope.” Here he looks out
over the vast territory where the professional tramps are made
miserable. They are compelled to submit to everlasting baths in vats of
boiling water.
[Illustration]
[Illustration: THE PROFESSIONAL TRAMPS.]
_CANTO XXIII._
Remounting by the same path which led to the department spoken of in the
preceding Canto, the explorer now passes over into the sixth section.
His guide book tells him that here the bores are punished.
He takes note of the penalty that follows the man who continually talks
about himself, and others of the bore species; then, showing his
passport, he steps into a descending elevator, with instructions to be
put off at the next station.
[Illustration]
[Illustration: BORING A BORE.]
_CANTO XXIV._
Alighting from the elevator Mr. Hunt makes his way to the district where
he sees the conscience-thumping machines at work, an illustration of
which is in his guide book.
A manufacturer who has taken the invention of a poor man and made a
fortune out of it, without compensating the inventor, is found bound to
the platform of one of these machines underneath a trip-hammer that
plays an eternal tattoo on his sinful old head.
[Illustration]
[Illustration: HE STOLE AN INVENTION.]
_CANTO XXV._
Still in the same department he sees many more souls who walked over the
rights of others in an excess of sordid ambition.
High up over a narrow rushing river, his body stretched and fastened
from bank to bank, he finds one of these culprits serving as a
footbridge over which the Demons walk.
* * * * *
This department also contains the obnoxious photographers, who, ignoring
all rights of privacy, practiced “snap-shooting” on whomsoever they
pleased.
[Illustration]
[Illustration: HE WALKED OVER OTHERS.]
_CANTO XXVI._
On a shelf of the rugged slope our explorer now sees a malefactor whose
fate after all seems hardly adequate to his fault. He is the man who
eats in defiance of all laws of decency. The days when he spaded pie
into his mouth or drew soup through his mustache with a sound like a
leaking hydrant, are now but a hideous memory.
[Illustration]
[Illustration: HE ATE LIKE A PIG.]
_CANTO XXVII._
Mr. Hunt now proceeds onward to the bridge that crosses the ninth chasm.
In this region he finds the lawyers, every one of whom is gagged.
The explorer reflects on the necessity of this penalty and passes on.
[Illustration]
[Illustration: THE DEPARTMENT FOR LAWYERS.]
_CANTO XXVIII._
Just across the River Lethe there lies a small territory where the
explorer finds the caricaturists who ridiculed public men for money--not
principle.
He describes their punishment, which is to look forever at pictures of
themselves made after they have been rolled, kneaded, pulled and twisted
out of all semblance to their former selves.