Through Hell with Hiprah Hunt: A Series of Pictures and Notes of Travel Illustrating the Adventures of a Modern Dante in the Infernal Regions; Also Other Pictures of the Same Subterranean World — Dante Alighieri — John Shaqi
Through Hell with Hiprah Hunt: A Series of Pictures and Notes of Travel Illustrating the Adventures of a Modern Dante in the Infernal Regions; Also Other Pictures of the Same Subterranean World
Dante Alighieri · en
An irresistible impulse prompts him to walk to the rear platform of the
car. A sudden lurch of the train as it turns round a curve in the track
and he finds himself lying prone by the road side.
On either hand there stretches a boundless forest of the wildest
desolation. Overhead a ghostly night wind ploughs through the tree tops
and wails and sobs like a lost spirit. Amidst a whizzing of invisible
bats and the hoots of melancholy owls, he struggles to his feet. Combing
the gravel out of his long locks he sets forth in a southeasterly
direction.
[Illustration]
[Illustration: SOMETHING HAPPENED.]
_CANTO III._
Through briars and bushes, over prickly plants and vines that are laced
together like a tangled mass of serpents in the innermost recesses of
deep chasms and black ravines, he stumbles toward the Unseen. When his
emotions have abated he finds himself alone in the heart of a forest,
where trees are so thickly crowded that the air is dense and hard to
breathe.
Finally, he comes to a projecting precipice from which he peers and
discerns a dim light through the sluggishly rising smoke. As he crawls
lower he hears voices, and a great commotion. An odor of burning
brimstone fills the air. He swings out from an over-hanging rock and
allows himself to drop.
[Illustration]
[Illustration: ON THE WAY DOWN.]
_CANTO IV._
Hiprah Hunt is at the American entrance to Hell. He stands amidst a
throng of Demons, sinners and employees of the realm. Crowds of men are
getting overcoats checked and buying fans. He buys one himself, and also
secures a guide book, locating the different sections and departments.
He sees over the portal’s lofty arch the words “Leave all hope on the
outside.” This demand he will not entirely accede to. He retains a
little, thinking he may need it later on.
Because Mr. Hunt shows no evidence of having died, the goblin custodian
who watches the entrance will not allow him to pass. Mr. Hunt does not
deny that he is alive, but explains that he is about the only prominent
champion of future punishment living and deserves special consideration.
He further argues that inasmuch as Dante was admitted without question
through the Italian entrance, he ought to be granted an equal privilege
on the American side.
The goblin, after a lengthy telephone consultation, withdraws his
objection, and Mr. Hunt proceeds.
[Illustration]
[Illustration: THE AMERICAN ENTRANCE.]
_CANTO V._
On passing through the long entrance corridor Mr. Hunt hears a low
mutter as of thunder, which grows louder as he advances.
A train load of souls comes screaming through the gloom. In the distance
he sees the train cross a bridge and eventually come to a stop. The
passengers step out and are driven to a place of registration. Here they
write their names and addresses in a large book.
[Illustration]
[Illustration: COMPELLED TO REGISTER.]
_CANTO VI._