We here have an endeavour to lead the sensuous back into few determinations. Aristotle (De gen. et corr. I. 8) says in this connection of Leucippus: “He wished to bring the conception of the phenomenal and sensuous perception nearer, and thereby represented movement, origination and decease, as existent in themselves.” In this we see no more than that actuality from him receives its rights, while others speak only of deception. But when Leucippus in the end represents the atom as also fashioned in itself, he brings existence certainly so much nearer to sensuous perception, but not to the Notion; we must, indeed, go on to fashioning, but so far we are still a long way off from the determination of continuity and discretion. Aristotle (De sensu, 4) therefore says: “Democritus, and most of the other ancient philosophers are, when they speak of what is sensuous, very awkward, because they wish to make all that is felt into something tangible; they reduce everything to what is evident to the sense of touch, black being rough, and white smooth.” All sensuous qualities are thus only led back to form, to the various ways of uniting molecules which make any particular thing capable of being tasted or smelt; and this endeavour is one which is also made by the atomists of modern times. The French particularly, from Descartes onward, stand in this category. It is the instinct of reason to understand the phenomenal and the perceptible, only the way is false; it is a quite unmeaning, undetermined universality. Since figure, order, posture and form, constitute the only determination of what is in itself, nothing is said as to how these moments are experienced as colour, and indeed variety of colour, &c.; the transition to other than mechanical determinations is not made, or it shows itself to be shallow and barren.