The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay — Georg Hegel — John Shaqi
The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay
Georg Hegel · en
The effort to grasp and apply such an idea as this can hardly be
barren. It brings us face to face with concrete facts of history,
and of man's actual motives and purposes. True philosophy here, as
everywhere, plunges into the concrete and the real; it is the indolent
abstract fancy that thrusts problems away into the remote "beyond"
or into futile abstraction. Plato, the philosopher, knows well that
the mind is free when it achieves what as a whole it truly wills. But
Plato, the allegorist and imaginative preacher, refers the soul's
freedom to a fleeting moment of ante-natal choice, which he vainly
strives to exempt from causal influence. Pictorial imagination, with
its ready reference to occurrences in past and future, is the great foe
to philosophic intelligence.
Finally, it is impossible to omit all reference to the notion of an
immanent Deity, which forms the very centre of Hegel's thought. When
an unspeculative English reader first meets with Hegel's passionate
insistence that God is not unknowable, that He necessarily reveals
himself as a Trinity of persons, and that to deny this is to represent
men as "the heathen who know not God," he feels as if he had taken
sand into his mouth. He is inclined to ask what these Neo-Platonic or
mediæval doctrines are doing in the nineteenth century, and why we
should resuscitate dead logomachies that can have no possible value for
life or conduct. Now, I must not attempt here to discuss the difficult
question of Hegel's ultimate conception of the being of God, and I am
bound to warn any one who may read these pages that I only profess
to reproduce one--though by far the most prominent--side of that
conception. But, subject to this reservation, I have no hesitation in
saying, that our own prejudices form the only hindrance to our seeing
that Hegel's subject-matter is here, as elsewhere, human life. He
gives us what he takes to be the literal truth, and we will have it
to be metaphor. Verbally contradicting Kant, he accepts, completes,
and enforces Kant's thought. "Revelation can never be the true ground
of religion," said Kant; "for revelation is an historical accident,
and religion is a rational necessity of man's intelligent nature."
"Revelation is the only true knowledge of God and ground of religion,"
says Hegel, "because _revelation consists in the realization of God in
man's intelligent nature_." We are, however, not unaccustomed to such
phrases, and our imagination is equal to its habitual task of evading
their meaning. We take them to be a strong metaphor, meaning that God,
who is a sort of ghostly being a long way off, is, notwithstanding,
more or less within the knowledge of our minds, and so is "in" them,
as a book which is actually in London may be in my memory when I am
in Scotland. Now, right or wrong, this is not what Hegel means. He
means what he says; that God is spirit or mind,[10] and exists in the
medium of mind, _which is actual as intelligence, for us at any rate,