The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay
Georg Hegel · en
Out of this tendency, and especially out of the sentiments[116] and
doctrines of Fried. von Schlegel, there further grew in all its
manifold shapes the so-called _Irony_. This idea had its deeper root,
if we take it in one of its aspects, in Fichte's philosophy, in so
far as the principles of his philosophy were applied to art. Fried.
von Schlegel, as also Schelling, started from Fichte's point of view;
Schelling, to pass wholly beyond it, Fried. von Schlegel to develop it
in a peculiar fashion, and to tear himself loose from it. As regards
the intimate connection of Fichte's principles with one tendency
(among others) of the irony, we need only lay stress on the following
point, that Fichte establishes the =I= as the absolute principle of
all knowledge, of all reason and cognition; and that in the sense of
the =I= which is, and is no more than, utterly abstract and formal.
For this reason, in the second place, this =I= is in itself absolutely
simple, and, on the one hand, every characteristic, every attribute,
every content is negated therein--for every positive matter is
annihilated by absorption into this abstract freedom and unity; on the
other side, every content which is to be of value for the =I=, is given
position and recognition only by favour of the =I=. Whatever is, is
only by favour of the =I=,[117] and what is by my favour =I= am in turn
able to annihilate.
Now, if we abide by these utterly empty forms which have their origin
in the absoluteness of the abstract =I=, then nothing has value in
its real and actual nature, and regarded[118] in itself, but only as
produced by the subjectivity of the =I=. But if so, it follows that
the =I= is able to remain lord and master of everything, and in no
sphere of morality or legality, of things human or divine, profane or
sacred, is there anything that would not have to begin by being given
position by the =I=, and that might not, therefore, just as well be in
turn annihilated thereby. This amounts to making all that is actual in
its own right[119] a mere _semblance_, not true and real for its own
sake and by its own means, but a mere appearance due to the =I=, within
whose power and caprice it remains, and at its free disposal. To admit
it or to annihilate it stands purely in the pleasure of the =I= which
has attained absoluteness in itself and simply as =I=.