The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_a_) With this object in view we will first enumerate the diverse
attempts which have been made to apprehend the beautiful in thought,
placing each in the order which will best assist a critical verdict.
We have already contributed something to this in our introduction.
And, moreover, we may add that the mere inquiry what others have
contributed either rightly or wrongly to our subject, at least with
the hope of ascertaining something really instructive to an exposition
which claims to be wholly scientific, will not assist us much. So far
from this being so we must preface our remarks with the admission that,
in the opinion of many, the beautiful, for the very reason that it
is the beautiful, does not admit of such intellectual apprehension,
is, in short, no object intelligible to human thought. To such a
thesis we must for the present--in our response to those who at this
time of day contend that all Truth is ultimately incomprehensible,
and only the finiteness of the phenomenal and the contingent matters
of temporal existence is within our mental grasp--reply that it is
precisely Truth, and Truth alone, which is to be thus _comprehended_,
and for this reason that it possesses the absolute _notion_, or, more
succinctly, the Idea for its basic support. Now beauty is no other
than a particular determination under which the True is expressed
and revealed to us; and it lies open to the fullest comprehension of
thought in so far as such can equip it with the armoury of the concrete
notion. It is quite true that no idea has suffered more severely in
our own time from misconceptions than this which we call the notion
in its fullest explication. One is only too often misunderstood to
mean a determination which is abstract and one sided, or at least a
conception of the analytical understanding. As thus understood neither
the totality of Truth nor the idea of beauty as a concrete whole can be
brought home to a thinking consciousness. But the idea of beauty, as we
have already observed, and shall seek to make more intelligible as we
proceed, is no such abstraction of the mind: rather it may be defined
as the absolute notion in its self-evolved concreteness, or still more
specifically defined, the absolute Idea.