The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
itself has created, but as one whose limits it fails to overcome,
an object, moreover, which, as assumed to be already subsisting in
independence, Mind remains alongside of in the internal seclusion of
knowledge and volition, and is only able to constitute the other side
of Nature. The finiteness of scientific theory, no less than that of
practical life, is to be, found in this limited mode of consciousness,
where intelligence is restricted to the use of finite categories and
the formal "ought" in the realization of ethical perfection[177]. We
find here, as we have pointed out was the case with Nature, that
the phenomenal is not adequate to the essential truth of that which
appears; what we receive is still the confusing medley of abilities,
passions, intentions, opinions, and talents, which no sooner make
themselves felt than they are displaced, working at cross purposes
as often against as on the side of each other, in a strife between
volition, opinion, and reflection, which brings to the surface every
phase of fortuitous experience in all its confusing variety. It is
the standpoint of the entirely finite, temporal, contradictory, and
for that reason transitory, unsatisfied, and unreconciled spirit. For
the satisfactions which obtain in such a consciousness, through the
finiteness which inseparably clings to its entire outlook, itself so
limited and confused, are of a purely relative and isolated validity.
It is inevitable that consciousness, volition, and thought should make
an effort to rise above this condition and seek for the universality,
unity, and satisfaction which it eventually finds in the infinite
substance of Spirit and its Truth. This unity and satisfaction, to
which mind is carried forward by the impulse of its own ideal activity,
transmuting the raw material of its finite conditions, constitutes the
first revelation of that which the world of appearances is under a
more notional grasp of it. Mind grasps its finiteness as the negation
of its own essential substance, and is aware of its infinity. And this
essential truth of the finite mind is the absolute Mind or Spirit. In
this form of self-consciousness mind is merely actualized as absolute
negativity. The element of finitude which it confronts is apprehended
as such and annulled. In this, the highest sphere of its activity,
mind becomes the object of volition. The Absolute itself becomes the
_object_ of mind. Spirit, as self-consciousness, differentiates itself
as the _knowing subject_ from the absolute Spirit as the _object_
of knowledge. Mind in this latter sense, in contradistinction from
mind which has not overcome the conditions of finite perception, may
therefore be defined as a finite mind in possession of the principle
of differentiation from its true object. In the higher and more
speculative consideration of truth, however, it is the _absolute
mind itself_, which, in order to unfold explicitly the knowledge of