The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_γ_) The truth is we can only, in this sphere, bring before our
consciousness the entire unity of life by means of our thought and
grasp of reason. In the natural world the _soul_, in its full activity,
is not found; that is to say, the subjective unity, in its pure
ideality, does not exist there for a self-consciousness.
If, however, by means of thought, we endeavour to grasp the nature of
soul-life according to its essential notion we shall find two aspects
under which we may regard it; first, as the form subject to such a
principle of animation; secondly, as the notion of soul for thought
in all that the conception implies. Such a complete grasp of its true
nature is not possible in the sensuous perception of the objects of
beauty. Such must neither pass before us as thought, nor must we
allow the interest of Thought as such to form a barrier of difference
or opposition between itself and the vision revealed to us. We are
left, then, with no alternative but to consider, under this point of
view, the object as wholly presented to sense; we must assume that in
the sphere of Nature a _sensuous_ perception of the natural form is
our genuine mode of contemplating the beautiful. "Sense," that is the
master-key[232] to the position; a word which in itself is interpreted
in two opposed senses. In the first place we may indicate thereby the
organs of immediate[233] perception, secondly, by the "sense of a
thing" we may refer to the significance, or the element of thought and
the universal within it. In this way "Sense" is related on one side to
the immediate externality of existence, and on the other to its inward
or essential nature. A sensuous perception of that existence in fact
preserves both sides in unity, or rather in one direction so presents
the aspect that is opposed to it in the immediate sense vision as to
include therein both the essence and notion of the object. But for the
reason that it combines these opposed determinations in unfractured
unity, the notion is not presented as such to consciousness, but is
rather to be dimly foreshadowed there[234]. We accept, for example,
as a determinate fact the existence of three realms of Nature, which
we define as that of the mineral world, that of plants, and finally
that of animals; we can conclude from this, as already foreshadowed
by its truth regarded as a process rising from plane to plane, that
there is an inward necessity inherent in the notional articulation
of its divisions, and do not confine ourselves only to the purely
imaginative conception of it as a world conforming on its exterior
side only to a final end. In the same way when confronted with the
variety of the external presentment in each of these realms, the
sense-perception surmises a controlling unity intelligible to mind, a
progress subject to laws of thought, visible no less in the formation
of mountain ranges than in the orderly succession of plant-life and
of the animal races.