The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_α_) Reviewing, then, shortly the _prominent classifications_ of
natural objects, we observe, in the first place, that minerals, taking
the crystal for an example, as structures destitute of the principle
of life, are characterized in their fundamental form by uniformity
and symmetry. As already remarked, their form, it is true, is one
appropriate to themselves, is not merely the determination of external
forces. Through an unseen energy the form that makes them what they
are as products of Nature creates their configuration both within and
without. This activity, however, is not yet the completed energy of the
concrete notion as an ideal principle, which directs the independent
consistency of the positive reality, subsuming them under an ideal
totality such as is present in animal life. The unity and definition of
their form persists in purely abstract one-sidedness, and we have as
the characteristics of a unity which is wholly on the outside the bare
forms of uniformity and symmetry, the determinating factor in each case
being an abstraction.
_(β) Plant life_ is, of course, many degrees above the order of
crystals. From the very commencement its evolution is marked by a
harmonious articulation, and consumes material in a constantly active
process of self-nourishment. But plant-life also is not yet really
the living whole[244]. Although organically divided into parts, its
activity is still one that consists wholly in assimilation[245]. It is
rooted in the earth with no independent power of motion from place to
place; its growth is continuous, and such energy of assimilation and
self-nourishment as it possesses is not the tranquil self-subsistence
of a completely individualized organic existence, but rather a
continuous extension of its growth as an external object. An animal
grows just as a plant grows, but at a determinate point that growth
in its external size ceases, and that which reproduces itself in
self-subsistence is one and the same individual. Plant-life, however,
enlarges without intermission, and only its decease renders the further
increase of its boughs and leaves impossible. And, moreover, all
that it separately produces in this process is for ever the repeated
pattern of the same organism in its entirety. For every bough is a
new plant, and not, as in the case with the animal organism, only
an isolated member. On account of this persistent enlargement of
itself through all the separate plant formations whereof it consists
plant-life is without the subjective animation peculiar to sensation
and the ideal unity which belongs to it. And, generally speaking,
we may say that plant-life, however much the digestive process is
an inward one, in which we find nourishment is assimilated and the
organism determines the form which is impressed on its substance out
of itself by virtue of the increasing freedom of the notional type
working through that substance, nevertheless substantially, through the