The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
entire process of its life, it remains rooted to externality without
either a true independence or unity, and such self-subsistence as it
possesses is continuous without a break. And it is on account of this
characteristic of plant-growth, namely, that it is for ever asserted
on the side of externality, that we find uniformity and symmetry to be
the fundamental unity of its self-expression as it is a predominant
principle of its structure. No doubt uniformity is not so regnant here
as we observed it to be in the formation of minerals, and it is not
expressed in the same extreme degree through the abstract straight line
and right angle: but it prevails here notwithstanding. The stem for the
most part runs on a straight line; the rings of plants of higher type
form themselves in circles; leaves closely approach the configuration
of crystals; and, at least as the basis of their type, we find that the
blossoms themselves in the number of their leaves, their position and
form are determined with uniformity and symmetry.
(_γ_) Finally, in the living organism of _animals_ a difference is
asserted in the reduplicated structure of the members. In the bodies
of animals, more particularly if we examine the higher species, the
organism is a more inward, self-contained and self-determined totality;
like a sphere, it returns, so to speak, on itself, while still
remaining an external organism. It is an external process, and yet, as
a process, asserted against externality. The more important organs are
those within, such as heart, lungs, and liver, and in these the life
is bound up. Such are not determined under the simple characteristics
of uniformity. In those members, however, even of the animal organism,
which are fixed in direct relation to the outside world, symmetrical
arrangement prevails. Among such must be reckoned the members and
organs which assert the subjective principle externally no less than
those which are the instruments of the active life. The sense-organs,
such as sight and hearing, belong to the former; all that we see and
hear is left as we found it. The organs of smell and taste already mark
the point of union with an activity exercised externally. We only smell
that which is already assimilated[246] by the organ of sense, and we
only exercise our taste through an act of destruction. We have, it is
true, but one nose, but it is subdivided into two sections, each of
which is uniform in structure. The same description is applicable to
the lips and teeth and other organs like them. Further than this the
eyes and ears, and the limbs employed in motion from place to place,
or for direct control over external objects, in other words, legs and
arms, are entirely uniform in position, form, and other qualities.
We find, therefore, that in the organic world no less than in the
inorganic uniformity asserts a very real predominance, qualified,
however, by the fact that its presence is limited to those members