The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
1. The most general conclusion which may be gathered from the
examination we have already made in a merely formal way of the Ideal
of art may be thus summarized. Truth, in its unravelment as external
reality, is only fully in possession of a true and determinate
existence, however much it may combine and retain in embracing unity
a manifold content, in so far as every portion of the content thus
unfolded permits this unity, which may be called either the animating
soul or the unified totality, freely to appear. To take the human form
once more under review as the most direct illustration of this, we have
already remarked that it is a totality of organic members each of which
is penetrated by the notion, differentiated thus in every particular
organ by some particular mode of activity and the specific motion
congenial to it. If we ask ourselves now in which particular organ the
soul appears as such in its entirety we shall at once point to the eye.
For in the eye the soul concentrates itself; it not merely uses the eye
as its instrument, but is itself therein manifest. We have, however,
already stated, when referring to the external covering of the human
body, that in contrast with the bodies of animals, the heart of life
pulses through and throughout it. And in much the same sense it can
be asserted of art that it has to convert every point of the external
appearance into the direct testimony of the human eye, which is the
source of soul-life, and reveals Spirit. Take the famous adjuration of
Plato to the stars in the lines:
When thou gazest forth at the stars, my star,
Would that I were the heavens and thence on thee
Could gaze forth out of a thousand eyes.
Conversely we may exclaim that art gives to her forms the dilation
of a thousand-eyed Argus, through which the inward life of Spirit at
every point breaks into view. And not merely is it the bodily form,
the expression of countenance, the attitude and demeanour which thus
avails; the same appearance is everywhere visible in actions and
events, speech and voice-modulation, in short, under every condition of
life through which it passes, and under which it is possible for soul
to make itself recognized in its freedom and ideal infinity.