The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
may thereby give full satisfaction to the most authentic necessities of
his soul.
At the same time, however much in the case of the Ideal the
determination of Spirit and its external presence appears to be
absorbed in the simple self-relation, the principle of _development_
is likewise directly associated with the particularity unfolded[299]
in determinate existence, and along with this in that relation to
environment which necessitates both the opposition and conflict
of clashing forces. This fact necessitates a closer examination
of the determination of the Ideal regarded in this very aspect of
differentiation and process, an aspect which we may in a general way
define as _action_.
II. THE ACTION
The gracious innocence of beatific enjoyment, the inactive repose, the
majesty of power in self-reliant tranquillity, as also the concentrated
compactness generally of that which is most substantial in a given
content--all these are essentially ideal modes of determination. That
which is inward, however, and spiritual is in an equal degree active
movement and development. One-sidedness and division are inseparable
from development. Spirit that is wholly itself and a totality will,
expanding into all particularity, step forth out of its repose,
in despite of all satisfaction therein, and involve itself in the
contradictions of the broken and confused medley of earthly existence,
and is by so doing unable in this divided world to withdraw itself from
the ill-fortune and ill-health that clings to finite existence.
Even the immortal gods of Polytheism do not dwell in eternal peace,
but take sides in mighty conflicts wherein contending passions and
interests are roused, being subject themselves to Destiny; nay,
more, even the God of Christians is, not delivered from a passage
of humiliation endured through suffering and shame of death, is not
spared the bitterness of soul, which perforce cried aloud: "My God, my
God, why hast thou forsaken me." And the mother of Christ experienced
an agony of the same poignant character, and human life in every
direction is a life of struggle, battle, and pain. For greatness and
force of character is evolved in the greatness and force of contending
elements, out of which Spirit concentrates itself again and again
upon its unity. The intensity and depth of subjectivity is only the
more emphasized, the more unbroken and unexampled the resistance
of circumstances to its unity grows, and the more irreconcilable
the contradictions appear under which it has to preserve its own
self-centred equilibrium. In this development and through this alone
the might of the Idea and the Ideal is preserved, for power consists
precisely in this self-preservation through a process of self-negation.