The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
He is rather the general type of self-reliant strength and
resource in its championship of right and justice, to exemplify which
he elected summarily and from a free choice to undergo countless toils
and labours. It is true that some of his deeds were carried out at the
instigation of Eurystheus, but this submission is, after all, rather
a formal association than a real one, no connection at least of legal
validity or inevitable necessity through which the strength of his
self-reliant personality was diverted from its independent course.
The Homeric heroes are of a similar type. No doubt they have their
clan chieftain; but the associating bond is no fixed relation already
determined by law, which enforces their submission; of their own free
will it is that they follow Agamemnon, who is no monarch in the modern
sense of the term. Consequently every hero volunteers his own advice,
the enraged Achilles acts independently for himself in his separation,
and, speaking generally, each and all come and go, act, or take
their leisure as they please. In much the same independent position,
that is to say, united in no fixed organization, to which they are
as individuals entirely subordinate, we find the heroes of Arabian
poetry portrayed, and even the Shah-Rameh of Ferdusi furnishes us
with similar examples. In latter-day Christendom the age of feudalism
and knighthood supplies a fertile field for the free growth of heroic
enterprise and the type of individuality which belongs to it. Of such
are the heroes of the round table, no less than the heroic circle of
which Charles the Great is the focus. Charles is, much like Agamemnon,
surrounded with independent chieftains of heroic mould, a union which
as such is powerless[305]. He is consequently always compelled to
take counsel with them, however much each of them may be influenced
by private passions; he may bluster like a very Olympian Jupiter,
and none the less find himself and his undertakings suddenly left in
the lurch while his confederates are off on some adventures of their
own. The Cid is perhaps the most complete example of the type. He,
too, is the ally of a confederacy, the dependent of a king, and is
bound to render duty as vassal; but in opposition to this obligation
he is pre-eminently influenced by the principle of honour, the purely
personal consideration of his own glory, nobility, and reputation[306].
And so in this case also the king can only determine a fixed line of
action and make war after consulting and obtaining the consent of his
vassals. If this is not given they do not fight, and, moreover, a
mere majority of votes is not sufficient to compel them. Every man is
independent of his neighbour, and exercises his will and steers his own
course as such. We find in the accounts given us of Saracen heroes an
equally brilliant picture of self-reliant and still more inflexible
personality. Even the Reinecke Fuchs fable is a fresh example of this
state of things.