The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
Here, it is true, the lion is master and king, but
the wolf and the bear sit in council. Even Reinecke and the rest do
just what they like; and when there is a general outcry, the sly fellow
either gets out of the mess with his story-telling, or manages to make
some particular interest of king and queen work to his own advantage,
and in his own cunning way talks over his sovereign somehow.
(_ββ_) Moreover, in much the same way that each individual example of
this heroic type of _personality_ persists in immediate unity with
all that he may will, act, and accomplish, a similar unity is further
maintained in all the consequences which flow from such initiative.
When we ourselves, on the contrary, act or estimate a particular
action, we assume that only full responsibility can attach where the
individual under consideration is in complete possession of the true
nature of his action and its attendant circumstances. If the content of
those surrounding conditions is otherwise than that which is present
to the agent's consciousness in such a case a man nowadays will not
take upon himself the burden of all that is implied in his action. He
will thrust on one side that part of it which he would not have done
had he known completely or not misconceived the circumstances, and he
only accepts that which was fully under his cognisance and carried out
with deliberate intention in conformity thereto. The heroic character
makes no such distinction. He adheres simply to all the consequences
and makes good his personal responsibility for the whole. Œdipus on
his way to consult the oracle meets a certain man, quarrels with him
and strikes him. In those days such an act was not a crime at all.
He only returned a blow after being vigorously attacked. But the
stranger was his father. Œdipus further marries a royal lady. His
wife is his mother. Without knowing it he commits an act of shame.
On learning the truth he acknowledges such enormities to their full
extent, inflicts a punishment on himself as murderer of his father and
a man of incest, and this although he was entirely ignorant of the
true nature of these acts, or had any intention of doing them. The
self-reliant stubbornness and entirety of the heroic character refuses
to parcel out responsibility and knows nothing of such distinctions
as personal intention and the objective act and its consequences. In
the evolution and ramification of an action as we moderns regard it
these opposed points of view constantly recur, and guilt is thrown into
the background as far as possible. No doubt our view of the matter
is more in accordance with _ethical principle_, in so far as the
condition of a personal knowledge of the particular circumstances, or
the consciousness of an object good in itself, in short, generally the
intent of an act, is what materially assists us in our judgment. But in
the heroic age, where we find the individual essentially indivisible