The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
We may in this connection distinguish three separable aspects as of
most importance.
The _first_, which arrests our attention, are the _oracles_ in which
the knowledge and volition of gods, still under a formless mode, gives
witness to their presence through natural existences.
The _second_ point of view to be noted is concerned with the universal
forms of Nature, no less than the abstractions of Right and so forth,
which lie at the root of the genuine spiritual and individual deities,
which are, so to speak, their birth-cradles and furnish us with the
necessary conditions of their origin and activity: they are the old
gods in contradistinction to the new.
_Thirdly_, and finally, we are made aware of the essentially necessary
progress to the Ideal in the fact that the primarily superficial
personifications of the activities of Nature and the most abstract
spiritual conditions are contested and thrust from their prominence
as something essentially subordinate and negative and, by virtue of
this debasement the self-sufficient spiritual individuality and its
human form and action, is suffered to attain an unchallenged masterdom.
This revolution, which constitutes the real central position in the
historical origins of the classic gods, is in Greek mythology placed
before our imagination in the conflict--a mode of presentation as naïve
as it is astonishingly direct--between the old and new gods, in the
headlong fall of the Titans, and in the victory which the divine race
of Zeus secures.
(_a_) To take, then, first in order the _oracles_, it will not be
necessary for us now to dilate on them to any considerable extent. The
essential point which concerns us here is merely due to this fact,
that in classical art the phenomena of Nature are no longer revered
as such--in the way that the Parsees, for example, pray to naphthetic
regions or fire, or as among the Egyptians, gods remain inscrutable,
mysterious, and mute riddles--but that the gods, being themselves
subjects of knowledge and volition, do verily give to man by means
of natural phenomena indications of their wisdom. In this sense the
ancient Hellenes made inquiry at the oracle of Dodona[155], whether
they should accept the names of gods, which have come to them from
barbarians, and the oracle replied: "Use them."