The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_γγ_) A third class of the ancient gods contains, it is true, neither
personified potencies of Nature, as such, nor the might which next
follows as lord over the particular elements of Nature in the service
of the more subordinate human necessities, but is already contestant
with that which is essentially in itself ideal, universal, and
spiritual. What, however, is none the less lacking in the powers we
have here to reckon with is spiritual individuality and its appropriate
form and manifestation, so that they also more or less relatively to
their operations keep a position which is more nearly akin to the
necessity and essential being of Nature. In illustration of this type
we may recall the conception of Nemesis, Dike, the Erinnyes, Eumenides,
and Moirai. No doubt we find associated with these figures the
determinate notions of right and justice; but this inevitable right,
instead of being conceived and clothed in the essentially spiritual and
substantive medium of social morality[165], remains either persistent
in the universal abstract notion, or is related to the obscure right of
that which is natural within the circle of spiritual connections, the
love of kindred, for example, and its paramount claim, which does not
appertain to Spirit in the open freedom of itself self-recognized; and
consequently also does not appear as lawful right, but in opposition to
this as the irreconcilable right of revenge.
To bring the view of the above nearer I will merely draw attention to
one or two ideas bound up with it. Nemesis, for example, is the might
to humiliate the exalted, and to cast down the man all too fortunate
from his lofty seat, and consequently to restore equilibrium. The
claim or right of equilibrium is the purely abstract and external
right, which, it is true, certifies itself as operative in the range of
spiritual circumstances, and conditions, without, however, making the
ethical organization of the same the content of justice. Another aspect
of importance attaches to this circumstance, that the right of the
family-condition is apportioned by the ancient gods, in so far as these
repose on a condition of Nature, and thereby are in antagonism with the
public right and law of the community. We may adduce the Eumenides
of Aeschylus as the clearest illustration of this point. The direful
maidens pursue Orestes on account of the murder of his mother, a murder
which Apollo, the younger god, had directed, in order that Agamemnon,
the slaughtered spouse and king, should not remain unavenged. The
entire drama consequently is concentrated in a conflict between these
divine Powers, which confront each other in person. On the one side
we have the goddesses of revenge, the Eumenides; but they are called
here the beneficent, and our ordinary conception of the Furies, into
which we convert them, is set before us as rude and uncouth. For they
possess an essential right thus to persecute, and are therefore not