The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
into the tales about Hercules, which forthwith, in such tales, assume
an entirely human aspect under the guise of chance events, exploits,
passions, misfortunes, and other untoward occurrences.
(_ββ_) In addition to all this the eternal powers of classical art
are the universal constituents of the actual embodiment of the
existence and actions of Greek _humanity_, from whose national origins
consequently in their earliest form, that is, out of the heroic times
and other traditions, still a very considerable residue of detail
remains appendant to the gods even in later days. In this way, too,
many characteristic features in the intricate tales of their gods
unquestionably must be referred to historic personages, heroes, older
folk-races, natural facts and circumstances attributable to wars,
battles, and other matters of a public character. And just as the
family and the distinction of clans is the point of departure of the
State, the Greeks possessed also their family gods, penates, clan-gods,
and furthermore the guardian divinities of particular cities and
states. In this excessive leaning towards the point of view of history
the thesis, however, is apt to be maintained that the origin of the
Greek gods generally is deducible from such historical facts, heroes,
and earlier kings. This is a plausible but none the less superficial
view. Heyne quite in recent times has also given currency to it. In
a way analogous to this a Frenchman, by name Nicholas Fréret, has,
for example, accepted the quarrels of different priestly guilds as
the general principle underlying the war of the gods. That such a
historical phase in the life of a people may contribute something,
that definite clans may have given some effect to their peculiar
notions of deity, that likewise different local aspects may have
afforded further matter in the process of divine individualization--all
this may be admitted, no doubt. The real origin of the gods is for
all that not to be traced to such external material of history, but
resides in the spiritual potencies of Life, under the guise of which
they were conceived. We are consequently only entitled to accept the
more extensive play of all that is positive, local, and historical,
in so far as it makes more definite the formal presentation of each
particular individuality.