The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
And in the _first_ place we may observe a more intimate bond of
association is set up between the Inward and Outward aspect of
consciousness in the increased recognition that every determination
of the Absolute is already essentially an inchoate movement in the
direction of expression. For every determination is essentially
distinction[57]. The External, however, is as such always defined
and distinct, and consequently there is thus an aspect immediately
presented, according to which the External is manifested in a form
more adequate to the significance than was possible under the modes
of conception as yet examined. The first definition, however, and
essential negation of the Absolute inevitably falls short of the free
self-determination of Spirit as _Spirit._ It is merely the immediate
negation of itself. This immediate and consequently natural negation
in its most comprehensive form of statement is _Death._ The Absolute
is consequently apprehended now in a way that it is compelled to
submit itself to this form of negation as a part of the essential
determination of its own notion, in other words it is obliged to enter
the path of extinction, and we observe consequently the glorification
of Death and grief in the first instance made present to the national
consciousness as the death of the dying sensuous material. The death of
Nature is cognized as a necessary part[58] of the life of the Absolute.
The Absolute, however, on the one hand, in order to be subject to this
phase of Death, must be posited already as determinate existence; and,
equally from another point of view, must not be suffered to remain in
the annihilation of Death, but must be held to _re-establish_ itself
in an essentially positive unity on a yet higher plane of existence.
Death is consequently not accepted here as constituting the entire
significance, but merely one aspect of the same. And though no doubt
the Absolute is in one sense viewed as a cessation of its immediate
existence, a passage over and beyond and a passing away, yet it is
quite as much in the reverse sense conceived as a return upon itself,
as a resurrection, as an eternal process of Divine realization rendered
possible by virtue of this evolutional principle of negation. For Death
is capable of a twofold meaning. Under the first it is the immediate
passing away of the natural; under the second Death is the extinction
of the exclusively natural and thereby the birth of a higher type, that
is, spiritual, from which the merely natural falls away in the sense,
that Spirit possesses in itself this phase as an essential phase of its
own substance.
For this reason, _secondly_, the form of Nature can no longer be
accepted in the immediacy of sensuous existence as adequate to the
significance referred to it, because the significance of the External
consists just in this, that it must die in the form of its real
existence and rise again.