The Philosophy of Fine Art, volume 3 (of 4): Hegel's Aesthetik
Georg Hegel · en
form, and is consequently bound to accept for its essential content
the emotional depth of the soul no less than the particular type of
character and its specific traits in its deepest impression--in other
words intensity of feeling and ideality in its differentiation, for the
expression of which definite events, conditions, and situations not
only must appear as the explanatory source of individual character,
but the specific individuality must disclose itself as a part of the
moulded form of the soul and physiognomy, rooted therein, and entirely
taken up into the external embodiment.
In order to express generally this ideality of soul we do not require
that ideal self-subsistency and largeness[249] of the classical
type we have previously dealt with, in which individuality persists
in immediate accord with the substantive core of its spiritual
essence and the physical characteristics of its bodily presentment;
to quite as little extent will suffice to the manifestation of
this soul-life Nature's ordinary hilarity, that Greek geniality of
enjoyment and blissful absorption in its object; rather true depth
and self-revelation of spiritual life presupposes that the soul has
worked its way through its emotions, its forces, its whole inward life,
has overcome much, has suffered and endured much anguish or misery
of spirit, and yet in all these divisions has retained its sense of
unity and come back to the same out of them. The ancients no doubt
also place before us in the mythos of Hercules a hero, who after many
troubles receives his apotheosis, and enjoys among the gods the repose
of blessedness; but the labours which Hercules accomplishes are purely
external, and the bliss, which he obtains as a reward, is merely a
tranquil cessation from labour; and the ancient rune, that Zeus will
have brought his empire to its consummation by his efforts, he, that
is the greatest hero of Greece, has not accomplished. Rather the end
of the rule of these self-subsistent gods then commences for the first
time, where we find man overcomes the dragons and serpents of his own
breast, the obstinacy and stubbornness of the soul's native realm
rather than the living dragons and serpents of Nature. Only thereby
will Nature's gladsomeness attain to that loftier cheerfulness of the
spirit, which is perfected in its passage through the negative phase
of division, and finally secures an infinite satisfaction through such
travail. The feeling of blitheness and happiness must be glorified and
expanded in real blessedness. For happiness and content still retain
an association with external conditions which partake of Nature's
contingency. In blessedness, however, that happiness, which is still
related to immediate existence, is left behind, and the entire content
is made one with the inner life of soul. Blessedness is a satisfaction
which is an attained result, and is thereby justified; it is the
gladness of a victory, the emotion of a soul which has essentially