The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
past Epopees, which have sought to depict the triumph of the West over
the East, of the European principle of moderation, of the individually
articulate and truly organic type of beauty over Asiatic splendour,
over the magnificence of a patriarchal unity, which does not attempt to
secure such organic completeness, or is at least merely held together
by abstract and superficial conjunctions, if such, I say, should aspire
to write the Epopee of the future, he will be necessarily restricted
to the portrayal of the victory of some future and intensely vital
rationality of the American nation over the prison-house of the spirit
which for ever pursues its monotonous task of self-adjustment and
particularization.[10] In the Europe of our day every nation finds
itself conditioned[11] by its neighbour, and cannot venture on its own
account to wage any war with another European nation. If we lift our
eyes beyond Europe, there can be only one direction, America.
(_b_) _The Individual Epic Action_
It is on such an essentially limited foundation then of conflict
between entire nationalities that the epic event is realized, the
leading characteristics of which we have now to determine. We may
summarize the form we propose our investigation should take as follows:
_First_, what actually takes place consists essentially in this that
the object of the epic action ought necessarily to be of _individual
vitality_ and definition, however much it may rest on a basis of the
most general extension.
_Secondly_, for the reason that it is only of individuals that we can
predicate actions we have the problem to solve of the general nature of
the epic _character_ or personality.
_Thirdly_, in the epic eventuality the form of objectivity is not
exclusively that of external appearance: it consists quite as much in
the significance of all that is itself intrinsically necessary to and
substantive in the exposition. We have consequently to determine the
form in which this intrinsic significance of the occurrence proclaims
itself as effective, either in part as the ideal necessity which is
therein concealed, or as the disclosed direction[12] of eternal and
providential forces.
(_α_) We have postulated as a necessary background of this epic world
an enterprise of national significance, in which the entire compass of
a national spirit can express itself in the bloom and freshness of its
heroic condition. From this fundamental substratum in its simplicity
we now further assume the apparition of a _particular_ end, in the
realization of which all other aspects of the national character,
whether in belief or action, can be represented to our vision. The
original postulate is in fact bound up in the closest way with such an
all-embracing actuality.