The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
Broadly speaking, we may, therefore, affirm that the true theme of
primitive tragedy is the godlike.[26] But by godlike we do not mean
the Divine, as implied in the content of the religious consciousness
simply as such, but rather as it enters into the world, into
individual action, and enters in such a way that it does not forfeit
its substantive character under this mode of realization, nor find
itself converted into the contradiction of its own substance.[27] In
this form the spiritual substance of volition and accomplishment is
ethical life.[28] For what is ethical, if we grasp it, in its direct
consistency--that is to say, not exclusively from the standpoint of
personal reflection as formal morality--is the divine in its secular or
world realization, the substantive as such, the particular no less than
the essential features of which supply the changing content of truly
human actions, and in such action itself render this their essence
explicit and actual.
(_ββ_) These ethical forces, as also the characters of the action,
are _distinctively defined_ in respect to their content and their
individual personality, in virtue of the principle of differentiation
to which everything is subject, which forms part of the objective world
of things. If, then, these particular forces, in the way presupposed
by dramatic poetry, are attached to the external expression of human
activity, and are realized as the determinate aim of a human pathos
which passes into action, their concordancy is cancelled, and they are
asserted _in contrast_ to each other in interchangeable succession.
Individual action will then, under given conditions, realize an object
or character, which, under such a presupposed state, inevitably
stimulates the presence of a pathos[29] opposed to itself, because it
occupies a position of unique isolation in virtue of its independently
fixed definition, and, by doing so, brings in its train unavoidable
conflicts. Primitive tragedy, then, consists in this, that within a
collision of this kind both sides of the contradiction, if taken by
themselves, are _justified_; yet, from a further point of view, they
tend to carry into effect the true and positive content of their end
and specific characterization merely as the negation and _violation_ of
the other equally legitimate power, and consequently in their ethical
purport and relatively to this so far fall under _condemnation._