The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_α_) Poetic diction can, in the first instance, appear with real
vitality among a people and at an epoch when the general speech is not
as yet perfected, but in fact only by virtue of its poetry receives
its real development. At such a time the utterance of the poet, as
generally expressive of soul-life, is from the first a real novelty,
which stirs admiration on its own account by revealing in its speech
what remained previously unveiled. This new creation appears as the
marvel of a gift and personal power. The weight of custom has not as
yet fallen upon it. It enables that which is buried in the depths of
the human heart for the first time to freely unfold itself before the
amazement of men. Under such conditions it is the native force of
the expression, the creation of the fact of speech, not so much the
varied and craftful elaboration of the same, which is the main point.
Diction here remains exceedingly simple. In such early times it is
indeed impossible that we should have either much fluency of idea or
any varied versatility of expression. The subject-matter of such poetry
is depicted with an artless directness, which has not yet attained the
delicate nuances, transitions, mediatory matter and other advantages of
a later artistic culture. In such an age the poet is in fact the first
person to give an utterance to the national voice, to express ideas in
speech, and thereby to encourage the imagination itself. Speech is,
if we may so express it, not yet inseparable from ordinary life, and
poetry can still freely, with an effect of freshness, avail itself
of all that in later times, as the speech of common life, gradually
is severed from art. In this respect, for example, Homer's type of
expression is to the modern man barely distinguishable from ordinary
speech. For every idea we have the direct word[8]; metaphorical
expressions are comparatively rare; and although the poem is composed
with a close attention to detail, the speech itself remains very simple
indeed. In a similar way Dante was able to create for his own nation
a vital form of poetic expression, and asserted in this, as in other
respects, the dauntless energy of his creative genius.