Robert Orange: Being a Continuation of the History of Robert Orange — Thomas Hobbes — John Shaqi
Robert Orange: Being a Continuation of the History of Robert Orange
Thomas Hobbes · en
On this particular afternoon in October she had some pressing matters on
her mind. She was considering, among other things, an offer of marriage
which she had received by post two days before from a nobleman of great
fortune, the Duke of Marshire. But Sara was ambitious--not mercenary.
She wanted power. Power, unhappily, was the last thing one could
associate with the estimable personality of the suitor under
deliberation.
"I must tell papa," she said to herself, "that it would never do."
Here she fell into a reverie; but as her expression changed from one of
annoyance to something of wistfulness and sentimentality, the question
of marriage with the Duke of Marshire had clearly been dismissed for
that moment from her heart. At intervals a shy smile gave an almost
childish tenderness to her face. Then, on a sudden, her eyelashes would
droop, she would start with a sigh, and, apparently caught by some
unwelcome remembrance, sink into a humour as melancholy as it was
mysterious. Quiet she sat, absorbed in her own emotions, heedless alike
of the streets through which she was passing and the many acquaintances
who bowed as she drove by. It was her daily custom, when in town, to
call at the Carlton Club for her father and take him for a short drive
round the Park before his tea. To-day he was already waiting on the club
steps as the brougham halted before the entrance. He smiled, joined Lady
Sara at once, and seating himself by her side in his usual corner,
maintained his usual imperturbable reserve. As a rule, during these
excursions he would either doze, or jot down ideas in his note-book, or
hum one of the few songs he cared to hear: "Go tell Augusta, gentle
swain," "Revenge, revenge, Timotheus cries," and "She wore a wreath of
roses." This time, however, he did neither of these things, but watched
the reflection of his daughter's face in the carriage window before him.
He had white hair, a dyed moustache and a small imperial--also dyed the
deepest black--just under the lower lip. In appearance he was, spite of
the false touches, good-looking, sensitive, and perhaps too mild. The
cleft in his rounded chin was the sole mark of decision in a countenance
whose features were curved--wherever a curve was possible--to a degree
approaching caricature. Temples, eyebrows, nostrils, and moustache, all
described a series of semi-circles which, accentuated by a livid
complexion and curling hair, presented an effect somewhat commonplace
and a little tiresome. He had spent his existence among beings to whom
nothing seemed natural which did not depart most earnestly from all that
nature is and teaches: he had always endeavoured to maintain the ideal
of a Christian gentleman where, as a matter of fact, Christianity was
understood rather as a good manner than a faith, and ideals were
prejudices of race rather than aspirations of the soul. Well-born,
well-bred, and moderately learned, he was not, and could never be, more
than dull or less than dignified.