The English works of Thomas Hobbes of Malmesbury, Volume 06 (of 11)
Thomas Hobbes · en
A _period divided_, is that which not only has perfection and length
convenient for respiration, but also _parts_. As, _I wonder you are not
afraid of their ends; seeing you imitate their actions_: where in these
words, _I wonder you are not afraid of their ends_, is one _colon_ or
_part_; and in these, _seeing you imitate their actions_, another: and
both together make the period.
The _parts or members_, and _periods_, of speech, ought neither be _too
long_, nor _too short_.
_Too long_, are they which are produced beyond the expectation of the
hearer. _Too short_, are they that end before he expects it.
Those that be _too long_, leave the hearer behind; like him that walking
goes beyond the usual end of the walk, and thereby out-goes him that
walks with him.
They that be _too short_, make the hearer stumble; for when he looks far
before him, the end stops him before he be aware.
A _period_ that is _divided_ into parts, is either _divided only_; or
has also an _opposition_ of the _parts_ one to another.
_Divided only_ is such as this; _This the senate knows, the consul sees;
and yet the man lives_.
A _period_ with _opposition of parts_, called also _antithesis_, and the
parts _antitheta_, is when _contrary parts_ are put together, or also
joined by a third.
Contrary parts are put together as here; _The one has obtained glory,
the other riches; both by my benefit_.
_Antitheta_ are therefore acceptable, because not only the _parts_
appear the better for the _opposition_, but also for that they carry
with them a certain appearance of that kind of enthymeme, which leads to
_impossibility_.
_Parts_ or _members_ of a _period_, are said to be _equal_, when they
have altogether, or almost, equal number of syllables.
_Parts_ or _members_ of a _period_, are said to be _like_, when they
_begin_ or _end_ alike: and the more _similitudes_, and the greater
_equality_ there is of syllables, the more graceful is the period.
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CHAPTER IX.
OF THOSE THINGS THAT GRACE AN ORATION, AND MAKE IT DELIGHTFUL.
Forasmuch as there is nothing more delightful to a man, than to find
that he apprehends and learns easily; it necessarily follows, that those
_words_ are most _grateful_ to the ear, that make a man seem to see
before his eyes the things signified.
And therefore _foreign_ words are unpleasant, because _obscure_; and
_plain_ words, because _too manifest_, making us learn nothing new. But
_metaphors_ please; for they beget in us, by the _genus_, or by some
_common_ thing to that with another, a kind of _science_. As when an
_old man_ is called _stubble_; a man suddenly learns that he grows up,
flourisheth, and withers like grass, being put in mind of it by the
qualities common to _stubble_ and to _old men_.
That which a _metaphor_ does, a _similitude_ does the same; but with
less _grace_, because with more _prolixity_.