[48] KENNETH E. KIDD, _The Excavation of Ste Marie I_ (Toronto: University of Toronto Press, 1949), p. 108 and pl. 24b. [49] See p. 12 for a consideration of the ball's possible significance. [50] _Catalogue of Exhibition of Early English Earthenware_, Burlington Fine Arts Club (London, 1914), p. 29 and fig. 41. [51] IVOR NOËL HUME, "An Indian Ware of the Colonial Period," _Archeological Society of Virginia, Quarterly Bulletin_ (September 1962), vol. 17, no. 1, p. 5. [52] IVOR NOËL HUME, "A Century of London Glass Bottles, 1580-1680," _The Connoisseur Year Book_ (London, 1956), p. 102, fig. 14 right. [53] A William Partridge was named in the Bristol Freedom Roll for 1689, cf. OSWALD, op. cit. (footnote 30), p. 88. [54] _Ibid._, p. 70. Perhaps Jacob Fox, Bristol Freedom Roll for 1688, or John Fletcher, Chester Freedom Roll 1673, or Josiah Fox of Newcastle-under-Lyme who was working in 1684. Other examples with this mark occur in groups A3 and A4, also on the Harwood property (surface find) close to the north bank of Aberdeen (Clay Bank) Creek. See p. 14. A single unstratified example has been found in Williamsburg, coming from disturbed topsoil behind Capt. Orr's Dwelling on Duke of Gloucester Street. [55] Oswald lists no maker with these initials in the appropriate period. However, a bowl impressed on the back with the initials S A over the date 1683 was found in the river Thames at Queenhithe (London) and is in the author's collection. See also D. R. ATKINSON, "Makers' Marks on Clay Tobacco Pipes Found in London," _Archaeological News Letter_ (London, April 1962), vol. 7, no. 8, p. 184; no. 24; and fig. 2, no. 24. See also _Rosewell_, p. 221 (footnote 96). [56] A pipe with similar ornament is in the author's collection of examples from the river Thames at London. CONTRIBUTIONS FROM THE MUSEUM OF HISTORY AND TECHNOLOGY: PAPER 53 EXCAVATIONS AT TUTTER'S NECK IN JAMES CITY COUNTY, VIRGINIA, 1960-1961 _Ivor Noël Hume_ LOCATION OF THE SITE 32 HISTORY OF THE SITE 32 THE EXCAVATION 42 THE RESIDENCE 43 THE KITCHEN 45 THE REFUSE PITS 46 ANIMAL REMAINS 51 THE ARTIFACTS 52 CONCLUSIONS 55