Vignettes: A Miniature Journal of Whim and Sentiment — Kant — John Shaqi
Vignettes: A Miniature Journal of Whim and Sentiment
Kant · en
After she had gone, we stayed a long while up on the hot roof, watching
the dark shadows creep from under the broken bridge across the rippling
Rhône, as it swept past towards the sea. And I wondered more drowsily
than ever concerning old Jeanne-Marie Latou, and her soldier nephew,
with the _spahis_, away over there in Tunis, and that great journey of
hers to Marseilles—eighteen of them from the dead little town below,
“_femmes et filles et trois garçons, dans un train ‘ambulant’—quatre
francs et douze sous, aller et retour_.”
[Sidenote: ASCENSION DAY AT ARLES]
The population pours out from mass, flooding every crooked
street—rubicund peasants in starched Sunday blouses; olive-skinned,
Greek-featured _Arlésiennes_ in quaint, lace head-dresses; strutting
_petits messieurs en chapeau rond_ and tight-fitting _complets_;
shouting shoals of boys; zouaves, indolent and superb, in flowing red
knickerbockers, white spats, and jauntily-poised fez.
A bleating of lambs, plaintive, incessant and dirge-like, fills the
_Place du Forum_; heaped over the gravel they lie, their legs tied under
their bellies, and their skinny necks helplessly outstretched: and
beyond, the great, green umbrellas of a regiment of wrinkled
beldams—fruit-sellers encamped in rows before their baskets.... A
strange complication of odours—of cheese, of fish and of flowers—floats
in the air: at every alley-corner some auctioneer stands
posted—shouting, perspiring vendors of knives, pocket-books,
glass-cutters, chromo-lithographs, cement, songs, _sabots_. An old
top-hatted Jew nasally vaunts a wine-testing fluid, and tells horrible
and interminable tales of vintages manufactured from decayed dates, from
vinegar and sugar, or from plaster-of-Paris; a travelling pedicure
operates on the box-seat of a gorgeously-painted van, to the
accompaniment of a big drum and clashing cymbals; the inevitable strong
man defiantly challenges the crowd to split a flag-stone across his
bare, hirsute chest; and a blind-folded fortune-telling wench chaunts
with mechanical shamelessness the young men’s amorous indiscretions.
Outside the town, the boulevard is gay with the glitter of pedlars’
wares, and flapping, gaudy stuffs, red, green and yellow and blue;
travelling showmen are bustling with final preparations, hammering
together their skeleton booths, or unfolding gaunt rolls of battered
canvas; the steam-orchestra of a _Grand Musée fin de siècle_ bellows
from its rows of brass-mouthed trumpets a deafening, wheezy tune; and
everywhere, beneath the tunnel of pale green plane-trees, a thick,
drifting tide of men and women.
[Sidenote: SPRING IN BÉARN
May 1]
Of a sudden it seems to have come—the poplars fluttering their golden
green; the fruit-trees tricked out in fête-day frocks of frail
snow-white; the hoary oaks uncurling their baby leaves; and the lanes
all littered with golden broom....