Alton Locke, Tailor and Poet: An Autobiography — John Locke — John Shaqi
Alton Locke, Tailor and Poet: An Autobiography
John Locke · en
The Bishop got down somehow by six. The dinner did not last long, for the
family were away, and afterwards we adjourned to the study, and Parson Lot
rose to his best. He stood before the fire, while the Bishop and I took the
two fireside arm chairs, and poured himself out, on subject after subject,
sometimes when much moved taking a tramp up and down the room, a long
clay pipe in his right hand (at which he gave an occasional suck; it was
generally out, but he scarcely noticed it), and his left hand passed behind
his back, clasping the right elbow. It was a favourite attitude with him,
when he was at ease with his company.
We were both bent on drawing him out; and the first topic, I think, raised
by the Bishop was, Fronde's history, then recently published. He took up
the cudgels for Henry VIII., whom we accused of arbitrariness. Henry was
not arbitrary; arbitrary men are the most obstinate of men? Why? Because
they are weak. The strongest men are always ready to hear reason and change
their opinions, because the strong man knows that if he loses an opinion
to-day he can get just as good a one to-morrow in its place. But the weak
man holds on to his opinion, because he can't get another, and he knows it.
Soon afterwards he got upon trout fishing, which was a strong bond of union
between him and me, and discoursed on the proper methods of fishing chalk
streams. "Your flies can't be too big, but they must be on small gut, not
on base viol fiddle strings, like those you brought down to Farnham last
year. I tell you gut is the thing that does it. Trout know that flies don't
go about with a ring and a hand pole through their noses, like so many
prize bulls of Lord Ducie's."
Then he got on the possible effect of association on the future of England,
and from that to the first International Exhibition, and the building which
was going up in Hyde Park.
"I mean to run a muck soon," he said, "against all this talk about genius
and high art, and the rest of it. It will be the ruin of us, as it has been
of Germany. They have been for fifty years finding out, and showing people
how to do everything in heaven and earth, and have done nothing. They are
dead even yet, and will be till they get out of the high art fit. We were
dead, and the French were dead till their revolution; but that brought us
to life. Why didn't the Germans come to life too? Because they set to work
with their arts, sciences, and how to do this, that, and the other thing,
and doing nothing. Goethe was, in great part, the ruin of Germany. He was
like a great fog coming down on the German people, and wrapping them up."