“It’s a dress--the one I wear in the third act. Well, you can carry it. My head’s splitting. And I’m ready to drop.” They had reached the end of the Parade. Their way lay at right angles through the town. It was a gusty, though warm night, and the cloud-racked sky and sea were dimly visible. “Would you like to sit down for a few minutes?” he asked. “Would you like it?” Her white face was turned up earnestly toward his. “It might do you good,” he replied. “No,” she said abruptly, after a pause, “Let us get home.” They walked together in silence. Joyce’s thoughts were far away. He parted from her at the door of her lodgings and went on slowly to his own. He had accustomed himself quickly to the nomad life on tour, its mechanical regularity despite the weekly change of scene. Once, perhaps, a round like this among the large provincial towns would have been filled with interests. But now it was empty. He tried in vain to whet his dull curiosity, by strolling through the streets and seeking to busy his mind with the industrial or municipal aspects, the art treasures, the historical monuments of the various towns. But all intellectual keenness seemed to have been blunted during those deadening years. His lonely walks were at best but an aimless killing of time. All the towns presented to him the same essential features: one busy thoroughfare, the theatre with its flaring bills, and a poverty-stricken side-street where his bedroom was situated. His life was singularly monotonous. The long hours of the day, given up to lounging in solitude, or reading what cheap literature his means would allow, were succeeded by the uninspiring, almost impersonal work at the theatre. All that was required of him was to sing his parts correctly, and to execute automatically the “business” in which he had been drilled. It was painfully easy. But he doubted within himself whether he had any dramatic aptitude. He could never divest himself of the self-conscious idea that he looked a fool in theatrical garb. The green robe and pigtail gave him the sense of being a spectacle for gods and men. His spirit was too crushed to look upon life humorously. Still, the great anxiety was lifted from his mind. It was a livelihood, secured for an indefinite time. The tour was booked a year ahead, and, as the outset proved “The Diamond Door” to be as great a provincial success as it had been a London one, there seemed no reason against a continuous run for three or four years. In the meantime, he might advance a step or two. But he did not care to contemplate the future. He was thankful for the dull, unruffled present. He was working again among honest men, reckoned as one himself. Could he dare hope for more?