In the course of time Adrian and Doria returned from Venice, their heads full of pictures and lagoons and palaces, and took proud possession of their spacious flat in St. John's Wood. They were radiantly happy, very much in love with each other. Having brought a common vision to bear upon the glories of nature and art which they had beheld, they were spared the little squabbles over matters of æsthetic taste which often are so disastrous to the serenity of a honeymoon. Touchingly they expounded their views in the first person plural. Even Adrian, whom I must confess to have regarded as an unblushing egotist, seldom delivered himself of an egotistical opinion. "We don't despise the Eclectics," said he. And--"We prefer the Lombardic architecture to the purely Venetian," said Doria. And "we" found good in Italian wines and "we" found nothing but hideousness in Murano glass. They were, therefore, in perfect accord over decoration and furnishing. The only difference I could see between them was that Adrian loved to wallow in the comfort of a club or another person's house, but insisted on elegant austerity in his own home, whereas Doria loved elegant austerity everywhere. So they had a pure Jacobean entrance hall, a Louis XV drawing-room, an Empire bedroom, and as far as I could judge by the barrenness of the apartment, a Spartan study for Adrian. On our first visit, they triumphantly showed us round the establishment. We came last to the study. "No really fine imaginative work," said Adrian, with a wave of the hand indicating the ascetic table and chair, the iron safe, the bookcase and the bare walls--"no really fine imaginative work can be done among luxurious surroundings. Pictures distract one's attention, arm-chairs and sofas invite to sloth. This is my ideal of a novelist's workshop." "It's more like a workhouse," said Barbara, with a shiver. "Or a condemned cell. But even a condemned cell would have a plank bed in it." "You don't understand a bit," said Doria, with a touch of resentment at adverse criticism of her paragon's idiosyncrasies, "although Adrian has tried to explain it to you. It's specially arranged for concentration of mind. If it weren't for the necessity of having something to sit upon and something to write at and a few necessary reference books and a lock-up place, we should have had nothing in the room at all. When Adrian wants to relax and live his ordinary human life, he only has to walk out of the door and there he is in the midst of beautiful things." "Oh, I quite see, dear," said Barbara, with a familiar little flash in her blue eyes. "But do you think a leather seat for that hard wooden chair--what the French call a _rond-de-cuir_--would very greatly impair the poor fellow's imagination?" "It might be economical, too," said I, "in the way of saving shininess!--" Adrian laughed. "It does look a bit hard, darling," said he. "We'll get a leather seat to-day," replied Doria.