The Glory of Clementina Wing — John Locke — John Shaqi
The Glory of Clementina Wing
John Locke · en
“He looked so hungry and _was_ so hungry—he told me—that I took him to
the ham-and-beef shop round the corner and stuffed his head with copy
while he stuffed himself with ham and beef. To say that he lunched with
me at a restaurant is infernal impudence.”
“Poor fellow,” said Quixtus. “He has to live rather fatly in imagination
so as to make up for the meagreness of his living in reality. It’s only
human nature.”
“Bah,” said Clementina, “I believe you’d find human nature in the
devil.”
Quixtus smiled one of his sweet smiles.
“I find it in you, Clementina,” he said.
Thus it may be perceived that the sittings were not marked by the usual
amenities of the studio. The natures of the two were antagonistic. He
shrank from her downrightness; she disdained his ineffectuality. Each
bore with the other for the sake of past associations; but each drew a
breath of relief when freed from the presence of the other. Although he
was a man of wide culture beyond the bounds of his own particular
subject, and could talk well in a half-humorous, half-pedantic manner,
her influence often kept him as dumb as a mummy. This irritated
Clementina still further. She wanted him to talk, to show some
animation, so that she could seize upon something to put upon the
dismaying canvas. She talked nonsense, in order to stimulate him.
“To live in the past as you do without any regard for the present is as
worthless as to go to bed in a darkened room and stay there for the rest
of your life. It’s the existence of a mole, not of a man.”
He indicated, with a wave of the hand, a Siennese _predella_ on the
wall. “You go to the past.”
“For its lessons,” said Clementina. “Because the Old Masters can teach
me things. How on earth do you think I should be able to paint you if it
hadn’t been for Velasquez? To say nothing of the æsthetic side. But you
only go to the past to satisfy an idle curiosity.”
“Perhaps I do, perhaps I do,” he assented, mildly. “A knowledge of the
process by which a prehistoric lady fashioned her petticoat out of skins
by means of a flint needle and reindeer sinews would be of no value to
Worth or Paquin. But it soothes me personally to contemplate the
intimacies of the toilette of the prehistoric lady.”
“I call that abnormal,” said Clementina, “and you ought to be ashamed of
yourself.”
And that was the end of that conversation.