The Morals of Marcus Ordeyne : a Novel — John Locke — John Shaqi
The Morals of Marcus Ordeyne : a Novel
John Locke · en
I lit another cigarette. “I think the sex feminine has marriage on the
brain,” I exclaimed, somewhat heatedly. “My Aunt Jessica was worrying me
about it the day before yesterday. As if it were any concern of hers!”
Judith laughed below her breath and called me a simpleton.
“Why?” I asked.
“Because you haven’t got a temperament.”
This was a foolish answer, having no bearing on the question. I told
her so. She replied that she was years older than I, and had learned
the eternal relevance of all things. I pointed out that she was years
younger.
“How many heart-beats have you had in your life--real, wild, pulsating
heart-beats--eternity in an hour?”
“That’s Blake,” I murmured.
“I’m aware of it. Answer my question.”
“It’s a silly question.”
“It isn’t. The next time you see a female baby in a perambulator, take
off your hat respectfully.”
I am afraid I am clumsy at repartee.
“And the next time you engage a cook, my dear Judith,” said I, “send for
a mere man.”
She coloured up. I dissolved myself in apologies. Her wounded
susceptibilities required careful healing. The situation was somewhat
odd. She had not scrupled to attack the innermost weaknesses of my
character, and yet when I retaliated by a hit at externals, she was
deeply hurt, and made me feel a ruffianly blackguard. I really think if
Lisette had pinned up that curtain I should have learned something more
about female human nature. But Judith is the only woman I have known
intimately all my life long, and sometimes I wonder whether I shall ever
know her. I told her so once. She answered: “If you loved me you would
know me.” Very likely she was right. Honestly speaking, I don’t love
Judith. I am accustomed to her. She is a lady, born and bred. She is
an educated woman and takes quite an intelligent interest in the
Renaissance. Indeed she has a subtler appreciation of the Venetian
School of Painting than I have. She first opened my eyes, in Italy, to
the beauties, as a gorgeous colourist, of Palma Vecchio in his second or
Giorgionesque manner. She is in every way a sympathetic and entertaining
companion. Going deeper, to the roots of human instinct, I find she
represents to me--so chance has willed it--the _ewige weibliche_ which
must complement masculinity in order to produce normal existence. But as
for the “_zieht uns hinan_”--no. It would not attract me hence--out of
my sphere. I could commit an immortal folly for no woman who ever made
this planet more lustrous to its Bruderspharen.