“Now you are pretending you don’t understand me. You ought to marry money!” I smiled and shook my head. I don’t think my aunt likes me to smile and shake my head, for I saw a flicker in her eyes. “No, my dear aunt; emphatically no. It would be comfortless. If I kissed it, it would be cold. If I put my arms round it, it would be full of sharp edges which would hurt. If I tried to get any emotion out of it, it would only jingle.” “What do you want then?” “Nothing. But if I must--let it be plain flesh and blood.” “Cannibal!” said my aunt. We both laughed. “But you can have plenty of flesh and blood, with money as well, for the asking,” she insisted; and thereupon my two cousins, Dora and Gwendolen, entered the drawingroom and interrupted the conversation. They are both bouncing, fresh-faced girls, in the early twenties. They ride and shoot and bicycle and golf and dance, and the elder writes little stories for the magazines. As I do none of these things, I am convinced they regard me as a poor sort of creature. When they hand me a cup of tea I almost expect them to pat me on the head and say, “Good dog!” I am long, lean, stooping, hatchet-faced, hawknosed, near-sighted. I have not the breezy air of the jolly young stockbrokers they are in the habit of meeting. They rather alarm me. Moreover, they have managed to rear a colossal pile of wholly incorrect information on every subject under the sun, and are addicted to letting chunks of it fall about one’s ears. This stuns me, rendering conversation difficult. As I had not seen Dora since her return from Rome, where she had spent the early spring, I asked, in some trepidation, for her impressions. Before I could collect myself, I was listening to a lecture on St. Peter’s. She told me it was built by Michael Angelo. I suggested that some credit might be given to Bramante, not to speak of Rosellino, Baldassare Peruzzi and the two San Gallo’s. “Oh!” said my young lady, with a superb air of omniscience. “It was all Michael Angelo’s design. _The others only tinkered away at it afterwards_.” After receiving this brickbat I took my leave. To console myself I looked up, during the evening, Michael Angelo’s noble letter about Bramante. “One cannot deny,” says he, “that Bramante was as excellent in architecture as any one has been from the ancients to now. He placed the first stone of St. Peter’s, not full of confusion, but clear, neat, and luminous, and isolated all round in such a way that it injured no part of the palace, and was held to be a beautiful thing, as is still apparent, in such a way that any one who has departed from the said order of Bramante, as San Gallo has done, has departed from the truth.” Michael Angelo did not like San Gallo; neither did he like Bramante-who was his senior by thirty years-but this makes his appreciation of the elder’s work all the more generous. Tinkered away at it, indeed! May 21st. I spent all the morning at work by the open window.