In strong contrast to this theory which regards myth as naturalistic, symbolic, and imaginary, we have the theory which holds a sacred tale as a true historical record of the past. This idea is supported by the so-called Historical school in Germany and America, and represented in England by Dr. Rivers. We must admit that both history and natural environment have left a profound imprint on all cultural achievement, including mythology, but we are not justified in regarding all mythology as historical chronicle, nor yet as the poetical musings of primitive naturalists. The primitive does indeed put something of historical record and something of his best interpretation of mysterious natural phenomena into his legendary lore, but there is something else, we are led to believe, that takes precedence over all other considerations in the mind of the primitive (as well as in the minds of all of the rest of us) and that is getting on in the world, a pragmatic outlook. It is evident that the primitive relies upon his ancient lore to help him out in his struggle with his environment, in his needs spiritual and his needs physical, and this immense service comes through religious ritual, moral incentive, and sociological pattern, as laid down in the cherished magical and legendary lore of his tribe. The close connection between religion and mythology, under-estimated by many, has been fully appreciated by the great British anthropologist, Sir James Frazer, and by classical scholars like Miss Jane Harrison. The myth is the Bible of the primitive, and just as our Sacred Story lives in our ritual and in our morality, as it governs our faith and controls our conduct, even so does the savage live by his mythology. The myth, as it actually exists in a primitive community, even today, is not of the nature of fiction such as our novel, but is a living reality, believed to have once happened in primeval times when the world was young and continuing ever since to influence the world and human destiny. The mere fireside tale of the primitive may be a narrative, true or imaginary, or a sort of fairy story, a fable or a parable, intended mainly for the edification of the young and obviously pointing a moral or emphasizing some useful truth or precept. And here we do recognize symbolism, much in the nature of historical record. But the special class of stories regarded by the primitive as sacred, his sacred myths, are embodied in ritual, morals, and social organization, and form an integral and active part of primitive culture. These relate back to best known precedent, to primeval reality, by which pattern the affairs of men have ever since been guided, and which constitute the only "safe path."