The strangest thing of all my odd and solitary upbringing seems to me now that swathing up of all the splendours of the flesh, that strange combination of fanatical terrorism and shyness that fenced me about with prohibitions. It caused me to grow up, I will not say blankly ignorant, but with an ignorance blurred and dishonoured by shame, by enigmatical warnings, by cultivated aversions, an ignorance in which a fascinated curiosity and desire struggled like a thing in a net. I knew so little and I felt so much. There was indeed no Aphrodite at all in my youthful Pantheon, but instead there was a mysterious and minatory gap. I have told how at last a new Venus was born in my imagination out of gas lamps and the twilight, a Venus with a cockney accent and dark eyes shining out of the dusk, a Venus who was a warm, passion-stirring atmosphere rather than incarnate in a body. And I have told, too, how I bought a picture. All this was a thing apart from the rest of my life, a locked avoided chamber.... It was not until my last year at Trinity that I really broke down the barriers of this unwholesome silence and brought my secret broodings to the light of day. Then a little set of us plunged suddenly into what we called at first sociological discussion. I can still recall even the physical feeling of those first tentative talks. I remember them mostly as occurring in the rooms of Ted Hatherleigh, who kept at the corner by the Trinity great gate, but we also used to talk a good deal at a man's in King's, a man named, if I remember rightly, Redmayne. The atmosphere of Hatherleigh's rooms was a haze of tobacco smoke against a background brown and deep. He professed himself a socialist with anarchistic leanings--he had suffered the martyrdom of ducking for it--and a huge French May-day poster displaying a splendid proletarian in red and black on a barricade against a flaring orange sky, dominated his decorations. Hatherleigh affected a fine untidiness, and all the place, even the floor, was littered with books, for the most part open and face downward; deeper darknesses were supplied by a discarded gown and our caps, all conscientiously battered, Hatherleigh's flopped like an elephant's ear and inserted quill pens supported the corners of mine; the highlights of the picture came chiefly as reflections from his chequered blue mugs full of audit ale. We sat on oak chairs, except the four or five who crowded on a capacious settle, we drank a lot of beer and were often fuddled, and occasionally quite drunk, and we all smoked reckless-looking pipes,--there was a transient fashion among us for corn cobs for which Mark Twain, I think, was responsible. Our little excesses with liquor were due far more to conscience than appetite, indicated chiefly a resolve to break away from restraints that we suspected were keeping us off the instructive knife-edges of life. Hatherleigh was a good Englishman of the premature type with a red face, a lot of hair, a