The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius — Marcus Aurelius — John Shaqi
The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius
Marcus Aurelius · en
"Nam os columnatum poetae esse indaudivi barbaro,
Quoi bini custodes semper totis horis accubant."
The poet, however, did not learn wisdom from experience. He lampooned the
great Scipio in some spirited verses still extant, and doubtless made many
others feel the shafts of his ridicule. But the censorship of literary
opinion was very strict in Rome, and when he again fell under it, he was
obliged to leave the city. He is said to have retired to Utica, where he
spent the rest of his life and died (circ. 204 B.C.). It was probably
there that he wrote the poem which gives him the chief interest for us,
and the loss of which by the hand of time is deeply to be regretted.
Debarred from the stage, he turned to his own military experience for a
subject, and chose the first Punic war. He thus laid the foundation of the
class of poetry known as the "National Epic," which received its final
development in the hands of Virgil. The poem was written in Saturnian
verse, perhaps from a patriotic motive; and was not divided into books
until a century after the poet's death, when the grammarian Lampadio
arranged it in seven books, assigning two to the mythical relations of
Rome and Carthage, and the remainder to the history of the war. The
narrative seems to have been vivid, truthful, and free from exaggerations
of language. The legendary portion contained the story of Aeneas's visit
to Carthage, which Virgil adopted, besides borrowing other single
incidents. What fragments remain are not very interesting and do not
enable us to pronounce any judgment. But Cicero's epithet "_luculente_
scripsit" [13] is sufficient to show that he highly appreciated the poet's
powers; and the popularity which he obtained in his life-time and for
centuries after his death, attests his capacity of seizing the national
modes of thought. He had a high opinion of himself; he held himself to be
the champion of the old Italian school as opposed to the Graecising
innovators. His epitaph is very characteristic: [14]
"Mortales immortales si foret fas flere,
Flerent Divae Camenae Naevium poetam.
Itaque postquamst Orcino traditus thesauro
Obliti sunt Romae loquier Latina lingua."
CHAPTER IV.
ROMAN COMEDY--PLAUTUS TO TURPILIUS (254-103 B.C.).