100 New Yorkers of the 1970s — John Stuart Mill — John Shaqi
100 New Yorkers of the 1970s
John Stuart Mill · en
"Certainly American dance is the most important in the world, and has
been for at least 25 years," he says. "The reason for this is that you have
a very strong classical tradition, as well as a very strong modern dance
tradition. This is the only country in the world that has these two
traditions, and they intermesh, so that you have George Balanchine on one
side and Martha Graham on the other. This means that American dance
is astonishingly rich."
Barnes feels that Americans' television-viewing habits have made them
more appreciative of the subtleties of dance movement: "That same kind
of visual orientation that has made spectator sports what they are spins
off, and spreads over to things like dance." He notes that dance in New
York appeals more to the young -- to people who have been reared on
television. Broadway audiences, on the other hand, "tend to be
menopausal, and opera audiences to be geriatric."
Barnes finds the West Side the ideal place to live because of its proximity
to his work. Trish, herself an expert on dance, usually accompanies him
to opening-night performances. "We can get to any Broadway theatre in
10 minutes," he says, "or walk to Lincoln Center. I can get to the paper
in about 10 minutes. The West Side has changed a little over the years.
I think it's gotten rather nice."
On nights off, Barnes enjoys going to the Metropolitan Opera or to a
movie. His son Christopher loves rock music and hates drama. He also
has a 14-year-old daughter, Maya. The family enjoys dining at many
restaurants in the Lincoln Center area, including Le Poulailler on 65th
Street near Columbus.
I ask Barnes if he can think of any plays that have been forced to close
because of unkind reviews. "That would presume it was an important play
which the critics misunderstood and killed," he says. "I don't think this
has actually happened. A play that gets awful notices by everyone is not
the victim of a vast critical conspiracy. It's usually a bad play. Harold
Pinter's _The Birthday Party_ got bad notices in London but it recovered
and went on and became successful."
For those who miss Barnes' views on theatre in the _Times_, his radio
broadcast can be heard on WQXR (1560 AM and 96.3 FM) Monday
through Friday, right after the 11 p.m. news.
Trish, Clive's biggest supporter, has no complaints about being the wife
of a celebrity. "It's very enjoyable, actually," she says with a wide smile.
"You meet fascinating people and see all the best things there are to see."
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WESTSIDER FRANZ BECKENBAUER
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