100 New Yorkers of the 1970s — John Stuart Mill — John Shaqi
100 New Yorkers of the 1970s
John Stuart Mill · en
When Tony won the part of Draper Scott over 200 other actors, he was
working part-time as a bartender at Joe Allen's in the theatre district. "I
was doing commercials and a lot of modeling -- nothing significant.
Before this show, I'd never made more than $1,200 a year from acting.
I didn't expect to get the part, because they wanted someone in his mid
40s. They rewrote the script for a younger attorney. My agent signed me
up on a lark. That just goes to show: when it happens, it happens."
Tony hates to cook -- which is fine with the restaurateurs in his area. His
favorite dining spot is La Bonne Soupe (3rd Ave., 57th-58th St.): they
have the prettiest waitresses and most pleasant food."
Asked about the lasting value of soap opera, he quickly replies: "I believe
television has an obligation to do nothing but entertain. Everything on
television, even news, is show business. If it weren't, they wouldn't have
ratings and handsome newsmen."
Anyone wishing to hear from Tony should write to him at ABC, 1330
Avenue of the Americas, New York, NY 10019.
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EASTSIDER RODNEY DANGERFIELD
The comedian and the man
1-6-79
He was 43 years old when the big break came. Jack Roy, a paint salesman
from Queens who did comedy in his spare time, stood before the cameras
of the _Ed Sullivan Show_ and delivered a routine that soon had the
audience helpless with laughter. Whether they realized they were
witnessing the birth of one of comedy's brightest stars is uncertain. But
for Jack Roy -- better known as Rodney Dangerfield -- the long wait was
over.
His unique brand of humor caught on immediately. Within a year he was
able to quit the paint business -- "it was a colorless job" -- and give his
full time to comedy. After 10 appearances with Sullivan he went on _The
Tonight Show_, and established such a smooth rapport with Johnny
Carson that he has so far been invited back about 60 times. With Carson
acting as "straight man," Dangerfield tosses off a string of outrageous
anecdotes that are in keeping with his image as a man who seems to have
the whole world against him.
The afternoon I meet Rodney Dangerfield at his spacious modern East
Side apartment is like a day straight out of his monologue. Coming to the
door dressed in a polka dot robe and looking quite exhausted, he
apologizes by saying that he has been up since 8 in the morning -- early
for someone who is accustomed to working past 4 a.m. As we sit down
to talk, he answers most of my questions with an unexpected seriousness.
Still, the humor creeps in around the edges.