[Illustration: APPEARANCE OF MANDEL’S STUDIO THE MORNING AFTER HIS DEATH.] A CAPILLARY CRIME AND OTHER STORIES BY F. D. MILLET ILLUSTRATED [Illustration: colophon] NEW YORK HARPER & BROTHERS, PUBLISHERS 1892 Copyright, 1892, by HARPER & BROTHERS. _All rights reserved._ CONTENTS. PAGE A CAPILLARY CRIME 3 A FADED SCAPULAR 53 YATIL 87 TEDESCO’S RUBINA 129 MEDUSA’S HEAD 165 THE FOURTH WAITS 191 THE BUSH 269 A CAPILLARY CRIME Near the summit of the hill in the Quartier Montmartre, Paris, is a little street in which the grass grows between the paving-stones, as in the avenues of some dead old Italian city. Tall buildings border it for about one third its length, and the walls of tiny gardens, belonging to houses on adjacent streets, occupy the rest of its extent. It is a populous thoroughfare, but no wheels pass through it, for the very good reason that near the upper end it suddenly takes a short turn, and shoots up the hill at an incline too steep for a horse to climb. The regular morning refuse cart, and on rare occasions a public carriage, venture a short distance into the lower part of the street, and even these, on wet, slippery days, do not pass the door of the first house. Scarcely two minutes’ walk from the busy exterior boulevards, this little corner of the great city is as quiet as a village nearly all day long. Early in the morning the sidewalks clatter with the shoes of workmen hurrying down to their work, children scamper along playing hide-and-seek in the doorways on their way to school, and then follows a long silence, broken only by the glazier with his shrill cry, “Vi-i-i-tri-er!” or the farmer with his “À la crème, fromage à la crème!” In the late summer afternoons the women bring their babies out and sit on the doorsteps, as the Italians do, gossiping across the street, and watching the urchins pitch sous against the curb-stone, or draw schoolboy hieroglyphics on the garden walls. There is a musical quiet in this little street. Birds sing merrily in the stunted trees of the shady gardens, the familiar calls of hens and chickens and the shrill crows of the cock come from every enclosure, and all the while is heard the deep and continuous note of the rumble of the city down below. At night the street is lighted by two lanterns swung on ropes between opposite houses; and the flickering, dim light, sending uncertain shadows upon the blank walls and the towering façades, gives the place a weird and fantastic aspect.