A Capillary Crime, and Other Stories — John Stuart Mill — John Shaqi
A Capillary Crime, and Other Stories
John Stuart Mill · en
My friend and I moved in at the same time, and I will not deny that I
planned to be supported by his presence at the moment of taking
possession. When we arrived and had our traps all deposited in the
middle of the studio, there came over the spirits of us both a strange
gloom, which the bustle and confusion of settling did not in the least
dispel. It was nearly dark that winter afternoon before we had finished
unpacking, and the street lights were burning before we reached the
little restaurant in the Via Quattro Fontane, where we proposed to take
our meals. There was a cheerful company of artists and architects
assembled there that evening, and we sat over our wine long after
dinner. When the jolly party at last dispersed, it was well past
midnight.
How gloomy the outer portal of the high building looked as we crossed
the dimly lighted street and pushed open the back door! A musty, damp
smell, like the atmosphere of the catacombs, met us as we entered. Our
footsteps echoed loud and hollow in the empty corridor, and the large
wax match I struck as we came in gave but a flickering light, which
dimly shadowed the outline of the stone stairway, and threw the rest of
the corridor into a deep and mysterious gloom. We tramped up the five
long flights of stone stairs without a word, the echo of our footsteps
sounding louder and louder, and the murky space behind us deepening into
the damp darkness of a cavern. At last, after what seemed an
interminable climb, we came to the studio entrance. I put the large key
in the lock, turned it, and pushed open the door. A strong draught, like
the lifeless breath from the mouth of a tunnel, extinguished the match
and left us in darkness. I hesitated an instant, instinctively dreading
to enter, and then went in, followed by my friend, who closed the door
behind us. The heavy hinges creaked, the door shut into the jambs with a
solid thud, the lock sprang into place with a sharp click, and a noise
like the clanging of a prison gate resounded and re-echoed through the
corridor and through the spacious studio. I felt as if we were shut in
from the whole world.