A Capillary Crime, and Other Stories — John Stuart Mill — John Shaqi
A Capillary Crime, and Other Stories
John Stuart Mill · en
Matters were brought to a climax in this way: My friend was summoned to
America by telegraph a little more than two months after we took the
studio, and left me at a day’s notice. The amount and kind of moral
courage I had to summon up before I could go home alone the first
evening after my comrade left me can only be appreciated by those who
have undergone some similar torture. It was not like the bracing up a
man goes through when he has to face some imminent known danger, but was
of a more subtle and complex kind. “There is nothing to fear,” I kept
saying to myself, and yet I could not shake off a nameless dread. “You
are in your right mind and have all your senses,” I continually argued,
“for you see and hear and reason clearly enough. It is a brief
hallucination, and you can conquer the mental weakness which causes it
by persistent strength of will. If it be a simulacrum, you, as a
practical man, with good physical health and sound enough reasoning
powers, ought to investigate it to the best of your ability.” In this
way I endeavored to nerve myself up, and went home late, as usual. The
regular incident of the night occurred. I felt keenly the loss of my
friend’s companionship, and suffered accordingly, but in the morning I
was no nearer to the solution of the mystery than I was before.
For five weary, torturing nights did I go up to that room alone, and,
with no sound of human proximity to cheer me or to break the wretched
feeling of utter solitude, I endured the same experience. At last I
could bear it no longer, and determined to have a change of air and
surroundings. I hastily packed a travelling-bag and my color-box,
leaving all my extra clothes in the wardrobes and the bureau drawers,
told the landlady I should return in a week or two, and paid her for the
remainder of the time in advance. The last thing I did was to take my
travelling-cap, which hung near the head of my bed. A break in the
wall-paper showed that there was a small door here. Pulling the knob
which had held my cap, the door was readily opened, and disclosed a
small niche in the wall. Leaning against the back of the niche was a
small crucifix with a rude figure of Christ, and suspended from the
neck of the image by a small cord was a triangular object covered with
faded cloth. While I was examining with some interest the hiding-place
of these relics, the landlady entered.
“What are these?” I asked.
“Oh, signore!” she said, half sobbing as she spoke. “These are relics of
my poor husband. He was an artist like yourself, signore. He was--he
was--ill, very ill--and in mind as well as body, signore. May the
Blessed Virgin rest his soul! He hated the crucifix, he hated the
scapular, he hated the priests. Signore, he--he died without the
sacrament, and cursed the holy water. I have never dared to touch those
relics, signore. But he was a good man, and the best of husbands;” and
she buried her face in her hands.