A Capillary Crime, and Other Stories — John Stuart Mill — John Shaqi
A Capillary Crime, and Other Stories
John Stuart Mill · en
The studio was of irregular shape, having curious projections and
corners, and one third of the ceiling lower than the rest. The alcove
formed by this drop in the ceiling was about the size of an ordinary
bedchamber. The drawn curtain of the large side window shut out so much
of the dim daylight that the whole studio was in twilight. In the
farther corner of the deep alcove was a low divan, filling the recess
between a quaint staircase which led into the attic and the wall
opposite the window. This divan served as a bed, and on it, half covered
with the bedclothes, lay a man, stretched on his back, with his face
turned towards the window. The left arm hung over the edge of the
divan, and the hand, turned inertly under the wrist, rested on the
floor. There was the unmistakable pallor of death on the face, visible
even in the uncertain gloom. The _sergent_ quickly lowered the curtain,
letting in a flood of cold, gray light. Then great blood-stains were
seen on the pillow, and on the neck and shoulders of the shirt. Beside
the bed stood, like a grim guard of the dead body, the rigid and angular
figure of a manikin dressed in Turkish costume. Between the manikin and
the window lay on the floor a large flint-lock pistol. Near the window
stood an easel, with a large canvas turned away from the light.
The two men paused in the middle of the studio, and looked at the
spectacle without speaking. Then the young man rushed to the divan, and
caught the arm that hung over the side, but dropped it instantly again.
“Touch nothing. Do not touch a single object,” commanded the _sergent_,
sternly. Then he approached the body himself, put his hand on the face,
and said, “He is dead.” Taking the young man by the arm, he led him out
of the room, carefully locking the door behind him. In the kitchen he
wrote a few words on a leaf torn from his note-book, gave it to the
_femme de ménage_ with a hasty direction, checked her avalanche of
questions with a single, significant gesture, led the way into the
garden, unlocked the gate, and half pushed her into the street.
He stood quietly watching the crouching figure of the young girl for
some time, then stooping over her, raised her, half forcibly, half
gently, to her feet, and pointed out that the place where she sat was
wet and muddy. Then he made a few commonplace remarks about the weather.
In a short time the _femme de ménage_ returned, breathless, accompanied
by two more officers, one of them a lieutenant.