A Capillary Crime, and Other Stories — John Stuart Mill — John Shaqi
A Capillary Crime, and Other Stories
John Stuart Mill · en
The only thing to do in the emergency occurred to both of them at the
same instant, and in a much shorter time than it takes to tell it Miss
Van Hoorn was safely perched on the solid crossbar of the French easel,
four feet or more from the ground; and the painter, who had hastily
thrown the portrait on the floor, face upward, was standing on the
shelf.
Knowing the venomous character of the moccasin, Seymour was not eager
for a fight with the snakes, particularly since he was without a weapon.
It was impossible to reach the trophy of Turkish yataghans on the
farther wall of the studio without encountering at least two of the
reptiles, and after a moment’s consideration he climbed up and sat down
beside Miss Van Hoorn, _tête-à-tête_ fashion, and, like herself, put
his arm around the upright piece between them.
Neither one of them spoke for a moment; and then he, overcome with
remorse at his carelessness, and trembling at the possible result of the
adventure, exclaimed, in a tone of despair, “Here’s a situation!”
This commonplace remark did not carry with it a hint of a satisfactory
solution of the difficulty, and he felt this the moment he had uttered
it. Miss Van Hoorn made no reply, but with pale cheeks and frightened
eyes sat silent, clinging almost convulsively to her support.
“We can easily bring the people by shouting,” suggested her companion.
“No, no!” she half gasped. “What a ridiculous position to be found in!
Indeed, I--I--Are you sure the neighbors cannot see through the window?”
“Of course they can’t; it’s corrugated glass. But then, after all, if
any one should come, the moccasins might bite them, and we should be no
better off.”
The snakes became more and more active.
[Illustration: “MISS VAN HOORN WAS SAFELY PERCHED ON THE SOLID
CROSSBAR.”]
The pug lay in his last death-agonies, and as he struggled on the
carpet, almost under their feet, the soft fingers of the young lady
instinctively found their way to the firm, muscular hand of the artist,
and closed around it with a confiding pressure, as if she recognized in
him her sole protector in this danger, and had great need of his
sympathy and support.
If the truth must be told, her sweet unconsciousness was not shared by
her companion, for he felt a distinct sense of satisfaction at the touch
of her hand, and this sensation fully dominated for a moment the complex
feeling of relief at escape from recent imminent danger and of great
present perplexity, uncertainty, and fear.
They were now fairly besieged; and although no harm could come to them
in their present position, it was by no means comfortable to sit perched
on a narrow oak bar, and it was impossible to tell how or when they
would be delivered from their enemy.