Regards the lovers, knowing that this hour Is theirs once only. Earth and thought and time Lie far beyond them, a great gulf of joy, Absorbing fear, regret and every grief, A warm eternity: or now perchance Night and the very weight of happiness, Unsought, have turned upon their tremulous eyes The mindless stream of sleep; nor do they care If dawn should never come. How joyously These hours have gone with all their pictured scenes, A string of golden beads for memory To finger over in her moods, or stay The hunger of some wakeful hour like this, The flowers, the myrtles, the gay bridal train, The flutes and pensive voices, the white robes, The shower of sweet-meats, and the jovial feast, The bride cakes, and the teeming merriment, Most beautiful of all, most sweet to name, The good Lysippe with her down-cast eyes, Touched with soft fear, half scared at all the noise, Whose tears were ready as her laughter, fresh, And modest as some pink anemone. How young she looked, and how her smiling lips Betrayed her happiness. Ah, who can tell, How often, when no watchful eye was near, Her eager fingers, trembling and ashamed, Essayed the apple-pips, or strewed the floor With broken poppy petals. Next to her, Theron himself the gladest goodliest figure, His honest face ruddy with health and joy, And smiling like the Ægean, when the sun Hangs high in heaven, and the freshening wind Comes in from Melos, rippling all its floor: And there was Manto too, the good old crone, So dear to children with her store of tales, Warmed with new life: how to her old grey face And withered limbs the very dance of youth Seemed to return, and in her aged eyes The waning fire rekindled: little Mæon, That mischievous satyr with his tipsy wreath, Who kept us laughing at his pranks, and made Old Pyrrho angry. Him too sleep hath bound Upon his rough-hewn couch with subtle thong, Crowding his brain with odd fantastic shapes. Even in sleep his little limbs, I think, Twitch restlessly, and still his tongue gibes on With inarticulate murmur. Ah, quaint Mæon! And Manto, poor old Manto, what dim dreams Of darkly-moving chaos and slow shapes Of things that creep encumbered with huge burdens Gloom and infest her through these dragging hours, Haunting the wavering soul, so near the grave? But all things journey to the same quiet end At last, life, joy and every form of motion. Nothing stands still. Not least inevitable, The sad recession of this passionate love, Whose panting fires, so soon and with such grief, Burn down to ash.