Auguste Rodin: The Man - His Ideas - His Works — John Stuart Mill — John Shaqi
Auguste Rodin: The Man - His Ideas - His Works
John Stuart Mill · en
_The Genius of War,_ the _Monument to General Lynch_, and the very
curious _Bellona,_ date from 1883; the _President Vicunha_[1] and a
_Bust of a Young Woman_, from 1884. This was rather a period of groping
than of production; Rodin was continuing his studies, and becoming
more confirmed in his technical methods. We must go on to the year
1885 to reach the revelation of three of his finest sculptures--the
three busts of _Dalou_, _Victor Hugo,_ and _Antonin Proust_, which
powerfully declare his personality. These are works that are not
disputable, that cannot be accused of having a "literary" intention,
mere bits of sculpture giving evidence of mastery and showing surfaces,
planes, and high lights worthy of the very finest busts of the French
school. As time goes by, the ideas, the philosophy, the symbolism,
the "dramatisation" of Rodin's compositions may come to be disputed,
or exact comprehension of them may be lost; but works like these will
always, by their mere professional worth, bear witness for him. Life,
thought, strength, and character are carried as far as is possible. The
bust of Hugo was the outcome of some few studies that the artist was
able to make from the life. Hugo declared David of Angers to have made
so good a bust of him that he considered it unnecessary ever to sit
again. Rodin wished to obtain sittings, but failed; the poet admitted
him to his table, and merely said to him, "Come when you like, observe
me ... and do what you can." At table Rodin took sketches of Hugo in
cigarette-paper books; he had a stand and some clay in the ante-room,
and from time to time he would run in to note down anything that had
just struck him.
VICTOR HUGO. (DRY POINT)
VICTOR HUGO. (DRY-POINT)
In this manner was that admirable bust completed, which (with the two
etchings here reproduced) was the only material of which Rodin could
make use for the Hugo with the bowed head of his future monument, the
commission for which was given him by the Government after the death of
the national poet in 1883, and which is on the eve of completion.