Backwater : $b Pilgrimage, Volume 2 — John Stuart Mill — John Shaqi
Backwater : $b Pilgrimage, Volume 2
John Stuart Mill · en
“Yes, if you like.”
“I must go so early.”
“Must you?”
“To-morrow morning early I go abroad.”
19
“Hullo!”
“Where were _you_ all that last dance?”
Nan Babington’s voice startled her as they came into the bright hall
through the open front door.
She smiled towards Nan, sitting drearily with a brilliant smile on her
face watching the dancers from a long chair drawn up near the
drawing-room door, and passed on into the room with her hand on her
partner’s arm. They had missed a dance and an interval. It must have
been a Lancers and now there was another waltz.
Several couples were whirling gravely about. Amongst them she noted
Bevan Seymour, upright and slender, dancing with Harriett with an air of
condescending vivacity, his bright teeth showing all the time. Her eyes
were ready for Ted. She was going to meet his for the first time--just
one look, and then she would fly for her life anywhere, to anybody. And
he would find her and make her look at him again. Ted. He was not there.
People were glancing at her, curiously. She veiled her waiting eyes and
felt their radiance stream through her, flooding her with strength from
head to foot. How battered and ordinary everyone had looked, frail and
sick, stamped with a pallor of sickness. How she pitied them all.
“Let us take a short turn,” said Max, and his arms came around her. As
they circled slowly down the length of the room she stared at his black
shoulder a few inches from her eyes. His stranger’s face was just above
her in the bright light; his strange black-stitched glove holding her
mittened hand. His arms steadied her as they neared the conservatory.
“Let us go out,” she heard him say, and her footsteps were guided across
the moulding, her arm retained in his. Meg Wedderburn was playing and
met her with her sentimental smile. In the gloom at her side, just
beyond the shaded candle, stood Ted ready to turn the music, his
disengaged hand holding the bole of a tall palm. He dropped his hands
and turned as they passed him, almost colliding with Miriam. “Next dance
with me,” he whispered neatly. “Will you show me your coffin?” asked Max
as they reached the garden steps.
“It’s quite down at the end beyond the kitchen garden.”
20
“There are raspberry canes all along here, on both sides--trailing all
over the place; the gardener puts up stakes and things but they manage
to trail all over the place.”
“Ah, yes.”