Backwater : $b Pilgrimage, Volume 2 — John Stuart Mill — John Shaqi
Backwater : $b Pilgrimage, Volume 2
John Stuart Mill · en
They lumbered at last round a corner and out into a wide thoroughfare,
drawing up outside a newly-built public-house. Above it rose row upon
row of upper windows sunk in masses of ornamental terra-cotta-coloured
plaster. Branch roads, laid with tram lines led off in every direction.
Miriam’s eyes followed a dull blue tram with a grubby white-painted
seatless roof jingling busily off up a roadway where short trees stood
all the way along in the small dim gardens of little grey houses. On the
near corner of the road stood a wide white building, bulging into heavy
domes against the sky. Across its side, large gilt letters standing far
apart spelled out “Banbury Empire.”
“It must be a theatre,” she told herself in astonishment. “That’s what
they call a suburban theatre. People think it is really a theatre.”
The little shock sent her mind feeling out along the road they had just
left. She considered its unbroken length, its shops, its treelessness.
The wide thoroughfare, up which they now began to rumble, repeated it on
a larger scale. The pavements were wide causeways reached from the
roadway by stone steps, three deep. The people passing along them were
unlike any she knew. There were no ladies, no gentlemen, no girls or
young men such as she knew. They were all alike. They were.... She could
find no word for the strange impression they made. It coloured the whole
of the district through which they had come. It was part of the new
world to which she was pledged to go on September 18th. It was her world
already; and she had no words for it. She would not be able to convey it
to others. She felt sure her mother had not noticed it. She must deal
with it alone. To try to speak about it, even with Eve, would sap her
courage. It was her secret. A strange secret for all her life as Hanover
had been. But Hanover was beautiful, with distant country through the
saal windows with its colours misty in the sunlight, the beautiful,
happy town and the woodland villages so near. This new secret was
shabby, ugly and shabby. The half-perceived something persisted
unchanged when the causeways and shops disappeared and long rows of
houses streamed by, their close ranks broken only by an occasional cross
road. They were large, high, flat-fronted houses with flights of grey
stone steps leading to their porchless doors. They had tiny railed-in
front gardens crowded with shrubs. Here and there long narrow strips of
garden pushed a row of houses back from the roadway. In these longer
plots stood signboards and show-cases. “Photographic Studio,”
“Commercial College,” “Eye Treatment,” “Academy of Dancing.” ... She
read the announcements with growing disquietude.
Rows of shops reappeared and densely crowded pavements, and then more
high straight houses.
6